by Christopher Darden & Dick Lochte ‧ RELEASE DATE: March 17, 1999
O.J. Simpson assistant prosecutor Darden teams up with suspense writer Lochte (The Neon Smile, 1995, etc.) for this earnest, shapeless tale of—what else?—a stand-up deputy D.A. fighting for truth and justice in the jungles of Los Angeles. When the D.A.’s office finds the diamond ring that lately graced the finger of TV interviewer/gossip columnist Maddie Gray in the pocket of Jamal Deschamps, the South Central homeboy found fleeing from the alley where Maddie’s nude body has been dumped, they waste no time prosecuting the bejesus out of him. Nikki Hill, the deputy D.A. who’s just been recalled from a slow-death posting out in Compton, has a bad feeling about this case, but her boss, D.A. Joe Walden, orders a full-court press, and the race is on between the prosecutors and Jesse Fallon, the high-powered attorney who takes over Jamal’s defense. In no time, Jamal’s proved an alibi, and Walden & Co. are back to go. Wilting under the hostile TV lights, Walden demands another arrest, and the lucky number goes to Dyana Cooper Willins, a movie star married to a top music CEO. Even though there’s solid evidence that Dyana attacked Maddie (in self-defense? in an attempt to wrestle her blackmail folder away from the blackmailer?) with something an awful lot like the murder weapon, the stakes for two potentially wrongful prosecutions of African-Americans in the City of Angels are enormous. Darden and Lochte powerfully convey the desperation of a D.A.’s office under pressure to do something without any clear idea of what the something should be, and the infighting among prosecutors, politicians, and the police that hamstring the investigation. What they don’t do is bring any order to the investigation, or create characters—except for Nikki, your standard Wonder Woman with a troubled background—who stay in the memory longer than a news story. The result is an ant farm full of bustling but anonymous movement, a sociological primer that would take the skills of Tom Wolfe to turn it into a novel. “Trials” is right.
Pub Date: March 17, 1999
ISBN: 0-446-52326-7
Page Count: 416
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1999
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by Christopher Darden with Dick Lochte
by Leigh Bardugo ‧ RELEASE DATE: Oct. 1, 2019
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
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New York Times Bestseller
Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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by Leigh Bardugo ; illustrated by Dani Pendergast
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by Jennifer Hillier ‧ RELEASE DATE: July 15, 2014
The secrets of the past refuse to keep quiet in this disquieting, taut thriller.
Thirty years ago, Seattle Police Capt. Edward Shank put down a serial killer dubbed the Butcher. Edward’s bullet ended Rufus Wedge’s sorry life. But did the killings end?
Hillier’s (Freak, 2012, etc.) third thriller fairly shudders with tension. Edward is ready to retire to an assisted living facility and give his grandson, Matt, the family home, a beloved Victorian in a posh neighborhood. An up-and-coming chef, Matt has parlayed his successful food-truck business into Adobo, the hottest restaurant in town, and the reality show networks are calling. The only trouble is that his girlfriend, Samantha, can’t understand why Matt hasn’t invited her to move in, too. After all, they’ve been together for three years. Pressuring Matt, though, isn’t getting her anywhere, and even their friend—well, really Sam’s friend—Jason is a little mystified. Certainly, Matt’s history of anger management trouble gives Jason pause. While Matt renovates the house and works late, Sam turns back to researching her latest true-crime book. This time, she has a personal investment. She’s convinced that her mother was killed by the notorious Butcher. Bored at the retirement home, Edward has become an invaluable sounding board. Like the Butcher’s other victims, Sam’s mother was raped, strangled and left in a shallow grave. Unfortunately for Sam’s theory, her mother was killed two years after Rufus Wedge’s death. Meanwhile, Matt’s contractor has unearthed a crate filled with gruesome artifacts. As Matt investigates the crate’s contents and Sam questions a mysterious informant, their romance unravels and the body count begins to rise. Hillier sends her reader into a labyrinth of creepy twists and grotesque turns. There’s no escape from the brutal truths exposed.
The secrets of the past refuse to keep quiet in this disquieting, taut thriller.Pub Date: July 15, 2014
ISBN: 978-1-4767-3421-7
Page Count: 352
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: June 17, 2014
Kirkus Reviews Issue: July 1, 2014
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