Next book

THE LIFE OF SCHUBERT

This slender volume, crammed with good research, should be the paradigm for the contemporary biography.

A splendid and admirably concise biography of a tragically short-lived genius.

The first biography of Franz Schubert (1797–1828) did not appear until nearly 40 years after his death, `an inconceivable lapse of time for any other leading nineteenth-century composer,` notes critic and academic Gibbs (Music/SUNY Buffalo). In the interim, all kinds of myths arose about Schubert, many persisting to this day—the gist of them being that Schubert, dismissed by the Viennese cultural elite, lived a lonely life of wrenching poverty and died in obscurity. Gibbs, in quiet but elegantly persuasive prose, refutes these notions with convincing evidence to the contrary, consisting largely of contemporary music reviews as well as letters by Schubert's many friends. Most of these friends were well placed in Viennese society and vigorously championed his music, often effectively. Because of their efforts, by the time of Schubert's early demise, he was quite well known and respected in musical circles and was posed for a brilliant career. Gibbs quotes critics of respected musical journals holding up Schubert's late large works (i.e., string quartets and piano sonatas) against those of the recently deceased Beethoven. He also clears up the much discussed mystery of the lost `Gastein` Symphony by arguing that it was never lost at all, but is one and the same as the Ninth (“Great”) Symphony. Gibbs also gives strong evidence that Schubert, irrespective of earlier biographers' accounts, was acutely aware of his gifts and aggressively promoted his own cause until unexpectedly cut down, probably a result of his health being damaged by an earlier bout with syphilis. Gibbs also deals with claims made in the last decade by musicologist Maynard Solomon and others concerning Schubert's homosexuality: he does not deny it but notes that the evidence for the speculation is extremely skimpy. The meager basis of the rumors (gushing pronouncements of love in letters to and from his male friends) is, in Gibbs’s view, simply a misunderstanding of the 19th-century European male's expression of friendship.

This slender volume, crammed with good research, should be the paradigm for the contemporary biography.

Pub Date: June 1, 2000

ISBN: 0-521-59426-X

Page Count: 220

Publisher: Cambridge Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2000

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview