More painful than funny.
A few twists and turns fail to lift this unimaginative novel out of boredom and turgidity.
A predictable assortment of lowlifes inhabits the book. The narrator is Benny Bunt, the “snitch” of the title, a denizen of the Greasy Tuesday, a dive housing a collection of other lowlifes. Benny is a fount of arcane and useless information, mainly owing to his having memorized all the cards from Trivial Pursuit (which edition is uncertain). Because his marriage to Donna has become a “loveless cage,” he finds social (certainly not intellectual or sexual) fulfillment at the Tuesday. There he comes under the spell of Gus “Mad Dog” Miller, nominally a Vietnam vet and self-described badass. What brings them together as metaphorical brothers is “nothing more complicated than [Gus’s] desire to tell stories and my desire to hear them.” Problem is, Gus is both more and less complicated than he seems. After getting Benny deeply involved in a bizarre hit scheme—with appropriate but predictable allusions to The Sopranos—Gus is eventually revealed to be Gerry Finkel, a drifter and Vietnam vet manqué, who had taken over Gus’s identity in a distorted admiration to be someone who’d actually had some Real Life Experiences. To his credit, Benny retrospectively realizes that if someone says “a thing with enough fire and conviction [and adds] a few fistfuls of Svengali charisma…just about anything sounds true.” Benny bewilderingly finds himself accused of a double murder, and Walter Goins, his public defender who wears Looney Tunes and Three Stooges ties, doesn’t inspire confidence. Goffard mixes up narrative structures by including “transcripts” from Benny’s trial and a sensationalized account called Murder on the Edge!, the result of a prison interview Benny gave. This is the kind of novel with dialogue like “You’ve really lived life. I love your tats, man. You’ve done time?”
More painful than funny.Pub Date: Oct. 1, 2007
ISBN: 978-1-58567-954-6
Page Count: 272
Publisher: Rookery/Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2007
BOOK REVIEW
A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.
An eccentric pair of late-Victorian detectives delve into a case involving the royal family.
Through many a wild escapade (A Dangerous Collaboration, 2019, etc.), Veronica Speedwell and Stoker Templeton-Vane have danced around their passionate feelings for each other. Just when the highly independent Veronica is about to commit to a full physical relationship—"The truth, dear reader, is that I was as ready for him as any filly ready for the stud"—a new case hurls them into perhaps their most dangerous adventure yet. Lady Wellingtonia Beauclerk, a power in royal circles, calls them to a meeting with the Princess of Wales and Inspector Archibond of Scotland Yard. The meeting is fraught, for Veronica is the unacknowledged daughter of the Prince of Wales, who deserted Veronica and her Catholic mother to marry Alexandra of Denmark. Since the Yard is overwhelmed with the hunt for Jack the Ripper, who’s terrorizing London, Archibond asks the sleuthing duo to recover a diamond star that the princess's eldest son, Prince Albert Victor, aka Eddy, has given to Madame Aurore, the owner of a private sex club. At first the sleuths decline, but when Lady Wellie suffers a severe angina attack, some snooping reveals her fear that Prince Eddy is suspected of being the Ripper. With the help of Stoker’s brother, they attend a masked ball at the club whose members indulge in all sorts of sexual depravity. After an exciting and informative evening, they run into Eddy, a dim but likable lad, who’s with them when their attempt to open Aurore’s safe ends with their discovery of her body under her bed. All three are kidnapped by Veronica’s Uncle de Clare, an Irishman who wants to place Veronica on the throne and free Ireland. Now they must escape, return Eddy unharmed to the bosom of his family, and discover who murdered Aurore.
A rollicking tale of desire, murder, and mayhem complete with Victorian atmosphere and two bickering leads.Pub Date: March 10, 2020
ISBN: 978-0-451-49074-2
Page Count: 320
Publisher: Berkley
Review Posted Online: Dec. 8, 2019
Kirkus Reviews Issue: Jan. 1, 2020
A bit over-the-top but still a lot of fun.
A vicious killer follows a writer’s murderous manuscript to the letter in Danish author Engberg’s U.S. debut.
It’s only been about a year since University of Copenhagen professor Esther de Laurenti retired, and she’s been writing a novel, something she’s always dreamed of. When Esther’s tenant, 21-year-old Julie Stender, is murdered, Esther is shocked. Heading up the investigation is Copenhagen detectives Jeppe Kørner and his partner of eight years, Anette Werner, and it’s proving to be a doozy. The murder was particularly heinous: The killer stabbed Julie and carved strange designs into her face and, frustratingly, seems to have been very careful not to leave any physical evidence at the scene. Of course, as investigators start digging into Julie’s life, they discover some suitably shady secrets in her past, and it’s suggested that one of her boyfriends might have felt scorned enough to resort to murder. Perhaps it was her new boyfriend, who is supposedly a much older, sophisticated man. Too bad nobody knows who he is. When Esther reveals that the details of the murder closely mirror her work in progress, it opens a whole new avenue of investigation, and when Esther attempts to draw the killer out, it puts her firmly in the crosshairs. Engberg’s background as a former dancer and choreographer gives a boost to her considerable flair for the dramatic (keep an eye out for a theatrically staged murder at the Royal Danish Theater) and highlights a strong focus on Copenhagen’s creative community; even Jeppe wanted to be a musician before he became a cop. His fairly recent divorce almost ruined him, and Anette’s upbeat and pragmatic style is no small annoyance to her moody partner, which is played for light comic effect (as is Jeppe’s reawakening libido), leavening the heavier subject matter. Overly familiar plot elements keep this from being a standout, and some twists require a significant suspension of disbelief, but Engberg’s fast-paced narrative is bolstered by an interesting and quirky cast as well as an intriguing setting.
A bit over-the-top but still a lot of fun.Pub Date: Jan. 14, 2020
ISBN: 978-1-982127-57-2
Page Count: 368
Publisher: Scout Press/Simon & Schuster
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
