Sharp characters enmeshed in a mystery that, particularly in its final lap, is a gleefully dizzy ride.
The sole survivor of a killer’s attack searches for the murderer she believes she can identify in Greyson’s (Jack of Hearts, 2017, etc.) psychological thriller.
Faith Winters is nearly 23 when her yearlong stay at Brookdale Mental Health Hospital mercifully ends. She’s been in and out of institutions for a decade since evading an assailant at a multiple-murder scene. Police have closed the case, surmising a murder-suicide. They theorize that Faith’s dad, Michael, killed three people—his lover; Faith’s bestie; and Faith’s older sister, Kim—before shooting himself. But Faith thinks the partially obscured man she saw attack Kim at the family cabin is the same individual she had spotted earlier and dubbed “Rat Face.” Her release from Brookdale requires she regularly see a therapist and attend AA meetings, and she soon frequents a support group for survivors. Downing multiple whiskey shots is a setback, and it’s also why others have trouble believing Faith when she says she’s seen Rat Face again. She made the same claim over a year ago, prompting a public outburst that ended with her most recent stay at Brookdale. Certain the cops won’t help her, Faith starts her own hunt for Rat Face. The threat of a killer’s presence becomes tangible when someone following Faith starts humming “Happy Birthday,” just like the murderer did. Greyson’s dark, twisting mystery employs considerably less humor than his Detective Jack Stratton series. While Jack’s investigations often feel like adventures, Faith is perpetually tortured by internal forces (e.g., alcoholism) or unknown menaces. The novel, however, isn’t entirely bleak. Characters come with an array of fascinating subplots. Faith’s mom, Beverly, for example, is a therapist who, in order to overcome her own psychological turmoil, wrote a book about her daughter’s survival that brought Faith unwanted notoriety. Faith herself is a strong, confident protagonist. Even after someone terrifies her in the woods, she remains an amateur sleuth and makes a remarkable deduction. She’s also not above cynicism, like pointing out the irony of the group of survivors: everyone seems dreary instead of happily sharing survival stories and “high-fiving each other or something.” The narrative further strengthens Faith as a character with her recurring memories of Kim and the night in question. These images aptly showcase her determination in unmasking a murderer while struggling with her tenuous mental state. The mystery, too, is indelible. Though readers get an early indication as to Rat Face’s identity, there is plenty to unravel, including the possibility of someone else’s involvement in the murders. Nevertheless, it’s during the final act when the plot turns come fast and furious. It’s a convoluted but exhilarating ending with a few surprises and perhaps a red herring or two.
Sharp characters enmeshed in a mystery that, particularly in its final lap, is a gleefully dizzy ride.Pub Date: Nov. 4, 2017
ISBN: 978-1-68399-303-2
Page Count: 296
Publisher: Greyson Media Associates
Review Posted Online: Nov. 20, 2017
Kirkus Reviews Issue: Jan. 1, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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