A gritty, heartfelt journey through the recent past.
In Stockwell’s three connected novellas, a man stumbles through addiction, recovery, and the countercultural scene of 1990s Washington.
The epigraphs of the first two novellas collected here come from Irvine Welsh and Charles Bukowski; like these writers, Stockwell is concerned with those down on their luck. In these stories, he traces the wobbly arc of Jack, a “microcosm of Generation X” who is “addicted to everything.” When he is first introduced, Jack is 28 years old and living in a psychiatric institution after losing his mother, his primary support system. The first novella, Sleeping in the Daytime, largely traces the period following his release from the institution, including his time in a halfway house rooming with a schizophrenic Vietnam War veteran who never showers and working up the courage to ask out the barista at the local coffee shop he frequents. The narrative includes regular flashbacks to Jack’s past, including his physically abusive relationship with his older brother (“Besides the sporadic 911 calls, occasional attempted knifings, and regular baseball bat duels, things had actually been pretty good between Laurence and Jack back then”) and his attempts to “liberat[e] his mind from Mormon indoctrination.” The second novella, Courting Mediocrity, fills in more of Jack’s backstory, focusing mainly on his first institutionalization at age 18 and how he met most of his crew of friends/fellow drug dealers and abusers. It also charts Jack’s brief stint in Utah, where he turns 30 and finds employment at a Taco Bell. (Jack finds some relief in this stability, but it does not last long.) There is more redemption in the final novella, Squattingin the Shadow of an Ant, which tracks Jack’s path down to Seattle and the most stable of his major relationships. Throughout, Stockwell balances the hard-edged, Gen X tone with more wistful reflections on a time lost. This comes through most strongly in the final few chapters, as Seattle morphs into its present form. Though occasionally repetitive, there is enough life and truth in the prose to keep the reader afloat, even as Jack repeatedly falls into the same destructive patterns.
A gritty, heartfelt journey through the recent past.Pub Date: Feb. 12, 2024
ISBN: 9781963805895
Page Count: 340
Publisher: N/A
Review Posted Online: Feb. 6, 2025
Kirkus Reviews Issue: April 15, 2025
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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