A measured generational family saga about the passing of a way of life.
A family of fishermen struggles to evolve with the times in Johnston’s debut literary novel.
The Brennans of Worland, Minnesota, make their living in two ways. The first is commercial fishing on the Lake of the Woods, where for three generations they have caught walleye and sturgeon using pound nets. The second is mink farming—a complementary business, since a diet of fish is, as patriarch Arthur claims, “low cost and produces lustrous fur” in the minks. In 1960, Arthur’s 21-year-old son, Pete, returns home after his two-year stint in the Army, craving freedom and the open water. Arthur puts him to work on the family fishing boat, but on his very first day, Pete accidentally severs his leg with a cable. Pete fears his whole future has been snatched away from him (“In a matter of days, I’d gone from everything possible to nothing possible”), but his fortunes improve with the arrival of Julia, the lovely nurse who helps him adapt to life with a prosthetic. Pete eventually masters his balance enough to get back on the boat. Arthur’s older son, Wayne, a former hockey player and Air Force vet, has been given control of the mink farm, but his drinking is beginning to cause trouble. When new laws against pound nets threaten their livelihood, both Brennan businesses are at risk of capsizing. Into this climate steps the next generation of Brennans in the form of Pete and Julia’s son, Jay, who takes over as narrator from his father about halfway through the novel. When Jay suffers his own fishing boat accident, it seems the family’s fate might finally be sealed.
One gets the sense from Johnston’s plainspoken prose that he intimately knows the setting and the occupations he writes about. Here, Pete shows his sister, Mary, an artist whose marriage to the town’s rival business clan causes interfamily tensions, how to kill a mink: “I shoved the animal headfirst into the shoebox-sized device and held its tail with my right hand. Inside, the animal’s skull was under a steel plate attached to a twelve-inch handle that stuck out the top…A metallic crack bounced off the top of the shed. The animal stopped moving.” The plot’s procession through the decades allows it to nod toward various social changes of the later 20th century (the animal rights movement comes for the mink farm), but in some ways the sweeping time frame works against the book’s dramatic potential—the story ends up being less about the conflicts between its characters than the unsparing passage of time, which comes for all industries and those who work them. When, near the end of the book, a would-be customer asks Pete if he knows where he can get any walleye, Pete replies, with blunt resignation, “I’m the last commercial fisherman on Lake of the Woods and the last walleye fisherman in the United States.” To Johnston’s credit, by the time this line arrives, the reader understands the weight those words carry.
A measured generational family saga about the passing of a way of life.Pub Date: Jan. 10, 2025
ISBN: 9781962834353
Page Count: 220
Publisher: Calumet Editions
Review Posted Online: May 20, 2025
Kirkus Reviews Issue: July 15, 2025
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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