by Christopher Kennedy Lawford ‧ RELEASE DATE: Oct. 1, 2005
Classier than the usual tell-all: an honest account of a personal pilgrimage through privileged self-destruction.
A rare and worthy first-person glimpse into the pitfalls of being a Kennedy, complete with instructions on how to step into the deepest hole available, from the son of Patricia Kennedy and actor Peter Lawford.
“I was given wealth, power, and fame when I drew my first breath. Now what?” asks Lawford, admitting that he “failed to take advantage of any of them.” The “what” was booze and drugs in quantities that would make even the most hardened liver quail. But you could hardly blame him. Here was a guy whose first stop before being brought home from the hospital was a bar so his parents could grab a drink (they’d already had a few while still in the hospital, of course). Lawford’s memoir zeroes in on his shabby, feckless behavior until he was in his 30s, but it can’t help revealing all sorts of minutiae of the kind craved by Kennedy-watchers. The story covers his mother’s proprietary relationship with her family; the divorce that threw him in among his maternal relatives; life with Uncle Bobby; the daily protocols of Hyannis Port; what it meant to suffer the wrath of Big E (Ethel); how it felt to have family members murdered while the rest of the world described the deaths as assassinations. In a natural, jazzy voice, Lawford describes his years of “better living through chemistry,” which beveled the edges of neglect and failed expectations until it became the 800-pound gorilla riding his back, queering his prospects and turning his life to trash amidst the grandeur. It wasn’t easy for Lawford to get straight; consequences included alienation, divorce and crying children—the same things his parents had inflicted on him.
Classier than the usual tell-all: an honest account of a personal pilgrimage through privileged self-destruction.Pub Date: Oct. 1, 2005
ISBN: 0-06-073248-2
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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