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TICK TOWN

Gore nerds will appreciate this canny update of the trashy horror/SF potboilers of yesteryear.

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On the eve of a community festival, a small Wisconsin town suffers attacks from giant, bloodthirsty mutant ticks in Micklos’ horror novel.

Tomahawk Hollow is a rural Wisconsin town heavily dependent on the tourism trade—the annual Jubilee festival is a key attraction. It is a bit of a problem, then, when hideous, waist-high, intelligent mutant ticks come out of the woods (which are home to a defunct pesticide plant). The savage monsters ravenously attack humans and animals alike, draining their blood and leaving a trail of carnage. Emmaline Blackdeer, a young reporter for the failing local newspaper, and her mentor-editor, Jackson Reed, attempt to investigate, but the corrupt mayor, Silas Cankerby, and a sinister squad of German mercenaries undermine their efforts with a coverup of apocalyptic proportions. Will Tomahawk Hollow survive? Will humanity? Readers of a certain age may recall the lurid horror paperbacks found in the spinner racks and airport gift shops of the previous century, with their schlocky scenarios of nature and animals run amok; memorable titles from the genre include The Swarm (1974), Slither (1986), Night of the Crabs (1976), and, of course, Jaws (1974). Here, first-time author Micklos (who is also a horror filmmaker) entertainingly hits just about all cliches in the formula, from gratuitous opening-pages sex to the community celebration-turned-bloodbath to corporate corruption to the sequel-friendly ending. (“The closest tick was nearly on him, though, rising slightly on its hind legs as if gloating over its prey. Its harpoon-like hypostome extended from its mouthparts like a hideous, barbed erection,” reads one lurid passage.) Unlike, say, Brian Wilford’s similar Rise of the Jellies (2024), there is no obvious comic spoofing; Micklos has the doom-serious tone down to a T (for tick) and plays the slaughter with a perfectly straight face, escalating skillfully and with a minimum of padding to the absurdly violent showdown in the heart of the hell-spawned tick nest. The downside is a never-less-than-predictable narrative arc; still, splatter-punk fans who relish such material will not be disappointed.

Gore nerds will appreciate this canny update of the trashy horror/SF potboilers of yesteryear.

Pub Date: June 23, 2025

ISBN: 9798991785549

Page Count: 198

Publisher: Castle Bridge Media

Review Posted Online: July 22, 2025

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE DIVORCE

Trust no one in this over-the-top tale of deception and revenge.

Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.

The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.

Trust no one in this over-the-top tale of deception and revenge.

Pub Date: May 26, 2026

ISBN: 9781464249631

Page Count: 368

Publisher: Poisoned Pen

Review Posted Online: April 20, 2026

Kirkus Reviews Issue: May 15, 2026

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