WINGS

Myers (Black Cat, 1999, etc.) comes into his own as a children’s-book writer, as well as illustrator, with his second solo picture book. A girl narrates as a new kid arrives in the neighborhood. Ikarus Jackson is different; he has wings. “The whole school / was staring eyes and wagging tongues. / They whispered about his wings / and his hair and his shoes. / Like they whisper about how quiet I am.” As the derision of his classmates and neighbors drag him down, she tells him “what someone should have long ago: / ‘Your flying is beautiful.’ ” Myers’s language is natural and specific, with precise line breaks. His single-page, white-framed, cut-paper collage illustrations are full of texture that is set off by solid-color silhouettes. The few short lines of text per page are set low, and occasional small, square-framed illustrations of the narrator are set in corners, giving a sense of distance, isolation, and of looking to the sky. The overall block-like design mirrors the blocks of cut-paper Myers builds his backgrounds and buildings with, and his sharp edges and contrasts depict a crowded city neighborhood full of heat and life. Carefully designed from front to end in word and picture, immediate and everyday but unusual and unique in tone, this book, with its simple story of the problems (and pleasures!) of being different, stands out in its field as splendidly as Ikarus himself. (Picture book. 5-9)

Pub Date: Oct. 1, 2000

ISBN: 0-590-03377-8

Page Count: 40

Publisher: Scholastic

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Sept. 15, 2000

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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An astonishing work of art and a crucial addition to every bookshelf.

WHEN WE SAY BLACK LIVES MATTER

The author of The Patchwork Bike (illustrated by Van Thanh Rudd, 2016) writes to children about the meaning of the phrase Black Lives Matter.

Pastel illustrations, also by Clarke, on dark, textured paper are paired with oversized, contrasting text addressed to “Little one.” In the visuals, a family that begins as a couple expecting a baby grows into a family with a child and then becomes part of a community in protest, marching for Black lives, before a final page shows a jubilant Black boy in a cap and gown. The adult narrator explains that “when we say Black Lives Matter, / we’re saying Black people are wonderful-strong.” Other meanings of the rallying cry, when it is called out, screamed, sung, laughed, and known, include a demand for respect, a defiant joy, a channeling of ancestors, an acknowledgment of trouble, and knowing one’s worth. Clarke’s text is poignant and mesmerizing, with design elements that raise the text to an artistic level, shaping it around the art and highlighting active and emotional words in color: enough, dancing, radiant, precious. The art is truly outstanding, gripping the heart from the very first spread and not letting go. With colored shapes and stained-glass motifs, these Black figures feel real and weighty. Within this deep dive are tragedy, fear, anger, and mourning alongside hope, comfort, strength, and triumph. This slim book contains a necessary and healing exploration of our current moment that will remain relevant for decades to come.

An astonishing work of art and a crucial addition to every bookshelf. (Picture book. 4-10)

Pub Date: Sept. 14, 2021

ISBN: 978-1-5362-2238-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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A humorous, meandering approach to a life lesson about leading every day with benevolence.

A NEW DAY

To the consternation of the other six days of the week, Sunday quits in protest, tired of being unappreciated for her consistent delivery of a weekly “beautiful free day.”

Sunday’s abrupt decision prompts the others to look for her replacement with an advertisement inviting auditions before the remaining six days. The competition quickly grows increasingly fierce as ideas are broached for DogDay, Big-BurpDay, PieDay, Band-AidDay, and, ridiculously, FirepoleSlidingIntoPoolsOfCottonCandyDay. Amid all this boisterous and frenzied rivalry, a little girl approaches the misunderstood Sunday with a small plant to say thank you and to suggest “simply a nice day. A day when people can show more kindness to each other.” The child’s humble gratitude is enough for Sunday to return to her important weekly position and to prompt all the days to value kindness as the key to each day’s possibilities. Bright art captures the mania, with cotton-candy hues representing each of the anthropomorphic days. Though undeniably comical as it unfolds in busy cartoon illustrations and speech balloons, the drawn-out, nonsensical, and unexpected course the narrative takes may be a stretch for youngsters who cannot always distinguish among days. Kindness as the ingredient for achieving a harmonious week is nevertheless a valuable message, however circuitously expressed. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 50% of actual size.)

A humorous, meandering approach to a life lesson about leading every day with benevolence. (Picture book. 5-7)

Pub Date: March 2, 2021

ISBN: 978-0-525-55424-0

Page Count: 48

Publisher: Dial Books

Review Posted Online: Nov. 27, 2020

Kirkus Reviews Issue: Dec. 15, 2020

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