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THE BLIND MIRROR

Overstuffed and not above occasional silliness, but a rattling good read, almost as entertaining as Stephen King in...

An artist is hired to design the cover of a horror novel—and finds himself inadvertently trafficking with the supernatural.

Twentysomething David Lennon’s return to his hometown of Lompoc, California—a trip undertaken in hopes of forgetting the girlfriend who has just dumped him—leads him to a familiar beach, where he discovers a dead woman’s body. Evidence of a ritual killing, and David’s inability to disclose the whereabouts of the aforementioned girlfriend, Sienna Madden, result in his arrest and brief imprisonment on suspicion of murder. Pike (The Cold One, 1995, etc.) keeps the story moving, relying on lengthy exchanges of dialogue juxtaposed with deftly shaped scenes presented in increasingly suspenseful sequences. As David reacquaints himself with old friends and lovers, his experiences begin echoing details of that horror novel’s plot, involving a beautiful vampire named Cleo, and her lovers, both alive and undead. David can probably be forgiven for not making the connection sooner, since he’s baffled by continuing phone messages from the absent Sienna (who, local police and FBI insist, was the body on the beach), when not tumbling into bed with cheerleader-turned-hoyden Julie Stevens, evading the aggressive charms of nymphet Mary Pomus (with whom he has a history of sorts), and puzzling over a high-school buddy’s inexplicable suicide. If that sounds complicated, wait till you reach the bizarre dénouement, in which the perception that “This town is not what it appears” is confirmed by the discovery of a medical experiment that has crossed “the line between consciousness and matter,” the appearance of a bona fide demon, the explanation of who “Sienna” really was (is?), and a lurid final scene that reveals the meaning of Pike’s clever title.

Overstuffed and not above occasional silliness, but a rattling good read, almost as entertaining as Stephen King in medium-high gear.

Pub Date: May 1, 2003

ISBN: 0-312-85895-7

Page Count: 352

Publisher: Tor

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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