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RULES OF DECEPTION

Proof positive that whatever state-of-the-art labels you paste on fictional spies, their main appeal remains nostalgic.

International intrigue in the 21st century, according to Reich’s latest thriller, looks an awful lot like international intrigue in the 20th.

After an Alpine skiing accident takes the life of beautiful nurse Emma, her widow, Dr. Jonathan Ransom, a surgeon who works for Doctors Without Borders, opens an envelope addressed to her to find a pair of claim checks. When he and Emma’s friend Simone Noiret travel to Landquart to reclaim the checked items—two suitcases—they attract the attention of a pair of Swiss police officers who grab the bags and then, when Jonathan resists, try to kill him. Acting just like any of Reich’s other intrepid amateur spies (The Patriots Club, 2005, etc.), he kills one of them, leaves the other seriously wounded and takes to the road. What to make of the mysterious items he finds inside the suitcases when he finally has a minute to look? Jonathan knows only that he’s seeing a side of Emma he never suspected. But a series of obligingly interspersed chapters has already alerted savvy readers to a high-stakes plot. It’s clear early on that it involves a superstitious assassin called the Ghost, a zealous anti-terrorist called the Pilot and the struggle for knowledge about lightweight, unpiloted drone aircraft and control of Iran’s nuclear stockpile. What’s not clear till much later—some readers will never be certain—is who’s on first, given that the law-enforcement personnel of two different countries seem intent mainly on dispatching their compatriots in rival law-enforcement divisions. For better or worse, they all more or less succeed.

Proof positive that whatever state-of-the-art labels you paste on fictional spies, their main appeal remains nostalgic.

Pub Date: July 15, 2008

ISBN: 978-0-385-52406-3

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2008

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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