A colorful start for beginning readers.
A cat explores colors on a busy day.
Cat—a brown tabby—wakes up, stretches, and yawns as light beams in. Dotted lines trace Cat’s footsteps as they exit the kitty door and explore outside their home. Cat stares at a red ladybug (“Cat likes red”). The page turn yields to a full double-page spread, painting an entire scene in a red wash. Readers can pick out multiple red objects in the background (“Red is nice”). The formula repeats as Cat moves to the next isolated color, yellow. Cat spots a bee (“Cat likes yellow”), and the page turn reveals a yellow-washed farm scene (“Yellow is nice”). Other colors include green, blue, pink, orange, and black—with black signifying nighttime as Cat sleeps (“Good night”). Comics creator Russo’s first children’s book makes good use of his expressive character-design skills. The simple text, consisting of 13 unique words, seven of which are colors, allows readers to focus on the detailed scenes and practice color recognition. White space serves as an effective palate cleanser between the full-color spreads as Cat moves from one color to the next, with the words for the colors on those pages printed in appropriately colored type. The cover gives nod to all the creatures—and colors—Cat will encounter on their adventure, further helping emerging readers make predictions. (This book was reviewed digitally with 10-by-16-inch double-page spreads viewed at 67% of actual size.)
A colorful start for beginning readers. (Picture book/early reader. 3-6)Pub Date: Jan. 5, 2021
ISBN: 978-0-8234-4587-5
Page Count: 32
Publisher: Holiday House
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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