Engrossing, lucid presentation of a uniquely complicated and productive life.
The tumultuous story of a director whose signature movies—dark, bleakly funny, shot through with perversity and paranoia—reflect the sensibility of an artist shaped by circumstances more harrowing, unpredictable and absurd than any Hollywood melodrama.
Roman Polanski’s troubles began in 1939, when the Nazis invaded his native Poland. The family was confined to Krakow’s Jewish ghetto, and in 1943 his parents were sent to concentration camps, leaving their ten-year-old son to fend for himself. (After the war, reunited with his father, he learned that his pregnant mother had been gassed at Auschwitz.) Cunning and possessed of a ferocious drive, Polanski eventually attended film school in Lodz, where he quickly became the star pupil and developed a reputation for lavish spending, partying and prodigious sexual conquests. In slyly playful prose, Sandford (McCartney, 2007, etc.) limns the young artist as a mercurial changeling, alternately arrogant, tender, hilarious, boorish and charming, always striving for (and coming thrillingly close to) technical perfection in his cinematic technique. After he emigrated to America, Rosemary’s Baby and Chinatown helped define a new era in movies and cemented their director’s status as one of the greats. Polanski’s personal life remained gothic: In 1969 his pregnant wife, Sharon Tate, was horrifically murdered by the Manson Family; eight years later, the director pled guilty to the charge of “unlawful intercourse” with a 13-year-old girl, fled the country before sentencing and has lived in Europe since. Sandford admirably extracts all of the salient information from the maelstrom of controversy and urban myth surrounding Polanski’s often lurid personal history, neither damning nor exonerating him. When he won the Academy Award for Best Director in 2002 for his Holocaust drama The Pianist (obviously, he could not attend), the driven, 69-year-old director was in Paris, preparing his next film.
Engrossing, lucid presentation of a uniquely complicated and productive life.Pub Date: Sept. 1, 2008
ISBN: 978-0-230-60778-1
Page Count: 400
Publisher: Palgrave Macmillan
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2008
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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