Thoughtful but full of action—and a pleasing entertainment, too.
Things are never as they seem: not among the well-heeled of Manhattan and certainly not among the leave-me-alone downtrodden of rural Michigan.
Sandy Mulligan, a writer with a nagging Greek chorus of an agent always over his shoulder, has bailed from New York, marriage, the old life. One is tempted to read something of author Sorrentino (The Trance, 2005, etc.) into Sandy, long absent as he’s been from the scene, though Sandy takes things a step further, hiding himself away in a little Midwestern town near an Indian reservation and its obligatory casino. His agent protests, naturally (“They don’t have what you need to be human out there,” he moans), but Sandy is bent on what he deems “exile and cunning” all the same. Others have the same idea. In that little town, an Ojibway storyteller proves a fascinating diversion— but is he who he says he is? Why does a sexy investigative reporter make a practice of eluding ethnic definition, resisting being called Native, Hispanic, Filipina, or whatever other census category people try to pin her to? Why do all the principal employees of the casino have Italian names, and what the heck is a “transfer pricing manager”? In this welter, it’s clear that Sandy will never find time or peace to knuckle down to his overdue novel, but he’ll also rack up plenty of new stories to tell—many of them of an erotic bent. In the end, Sorrentino’s smartly conceived story is something of a thriller, though more Richard Russo than Robert Ludlum; it’s about ruses and masks and our desire to be something other than our imperfectible selves. There’s also plenty of subtext on the literary life, with publishers increasingly seeing books as inconvenient commodities and a culture constantly in search of some new zeitgeist definer—who almost certainly won’t be Sandy. “They won’t even be remembering your work,” his agent thunders. “They’ll be remembering fucking Ethan Hawke.” A fate worse than oblivion, that.
Thoughtful but full of action—and a pleasing entertainment, too.Pub Date: Feb. 9, 2016
ISBN: 978-1-4767-9574-4
Page Count: 336
Publisher: Simon & Schuster
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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