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THE BIG QUESTION

As with Barris’s shows, readers might find themselves laughing despite their better instincts.

Though the novel plainly isn’t this notorious television producer’s strong suit, there’s some guilty pleasure in reading about how the man responsible for The Gong Show and The Newlywed Game takes his revenge on reality TV.

It’s the year 2011, and trash TV has gotten a whole lot trashier. There are new limits—or perhaps no limits. Barris (Confessions of a Dangerous Mind, 1984, etc.) jumpstarts his narrative with an encounter on the Manhattan streets between a very (or at least formerly) famous television producer and an 82-year-old cripple who makes a grab for him. The producer is never named, though details invite the reader initially to equate his experiences and mindset with those of Barris. In fact, the cripple has a name: Chuck Barris. He’s impoverished and all but deaf, plainly a pest to the producer, who does his best to shake him off, but the geezer has an idea for what will be his TV comeback. He even shot a pilot for it, back in his heyday, when standards weren’t nearly as liberal. Eventually, he prevails upon the producer to visit the cripple’s squalor and view the tape of a show titled The Death Game. Instead of merely humiliating contestants, a tactic Barris had pioneered, the new show offers the ultimate challenge to those who make it to the hot seat. Answer the final question correctly, and you win 100 million bucks. Answer incorrectly, and you’re executed. Interspersed with the program’s progression are the stories of those who might become contestants. Some are heartsick, some are head-sick and many have seen their lives take surprising detours. Which characters are either sick enough of life or desperate enough for cash—or both—to risk everything? It’s not a pretty question, nor a pretty answer.

As with Barris’s shows, readers might find themselves laughing despite their better instincts.

Pub Date: May 1, 2007

ISBN: 1-4165-3525-X

Page Count: 288

Publisher: Simon & Schuster

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Feb. 15, 2007

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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