For fans only.
An expatriate sportswriter finds comfort, entertainment and perplexity in the big business of British soccer.
After witnessing everything from the congressional baseball steroid hearings to Janet Jackson’s wardrobe malfunction, two-time Pulitzer nominee Culpepper had become quite cynical about his livelihood. In 2006, relocating to London “for the oldest reason in the book—love,” he left behind the corruption and blatant narcissism of American sports, as well as his privileged media observation post, to become an ordinary soccer fan. England’s Premier League provoked culture shock. Shabby, unadorned locker rooms were the rule, Culpepper found, even for superstar teams like Manchester United. Severely restricted media access to the facilities for pre- and post-game interviews enshrouded British teams in a certain mystery. Fan-seating segregation in stadiums, the unspoken understanding that closely seated spectators did not fraternize and the blatant overuse of expletives also proved head-turning. After much deliberation and attending months of games and related events, the author chose to align himself with an underdog team, Portsmouth. Though it held a dismal 19th place in the rankings, he watched the team improve steadily over the course of the season and observed its devoted, good-natured fans. Culpepper diligently makes comparisons between American and English sports ethics, but he also finds commonalities in the players’ hubris as well as their monetary greed. His love of soccer comes through as he navigates England’s complex, multitiered competition. What’s lacking, however, is sufficient material on the personal side of his experience. Culpepper’s staunch, unwavering focus on the sport itself may be honorable, but the result is an aloof chronicle marinated in factoids and lingo.
For fans only.Pub Date: Aug. 12, 2008
ISBN: 978-0-7679-2808-3
Page Count: 224
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2008
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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