THE BLOOD ARTISTS

Sensational bugs-and-guts followup to Hogan's Ruby Ridgeinspired debut, The Standoff (1994). Here, mutually antagonistic medical technicians are up against a horrific virus that uses human intelligence to propagate itself. As the ethically-conflicted-lawyer thriller was to the '80s, the bug book is poised to dominate the next decade. A new crowd of take-no-prisoners antibiotic-resistant killers are nastier enemies than terrorists or drug lords because they literally hit us where we live. And Hogan's fictional Plainville virus, named for the Massachusetts town where this contagion makes its US debut, is the ghastliest yet. Set in the near future, a series of predictably preposterous, technobabble-drenched scenarios bring out the thwarted passions and psychological conflicts of the scientists stumbling for the cure. The virus, a hideously lethal variant of small pox that infects plants and animals as well as humans, is first identified in darkest Africa (where else?) by Atlanta's CDC scientists Stephen Pearse, an idealistic plodder, and his haunted, broodingly Byronic buddy, Peter Maryk, whose miraculous blood seems to resist all disease. After failing to come up with a vaccine, the two decide to ``bomb'' the stricken African village—that is, destroy everything that lives. A few years later, Maryk and Pearse have won the Nobel Prize for inventing a bestselling brew of artificial blood (making the newly formed Bureau of Disease Control the richest and most powerful medical organization in the world). After the virus crops up in Plainville, Pearse, stymied by his inability to stop the bug in Africa, is deliberately infected by a seemingly demented victim of the disease. Maryk uses his miracle blood to keep Pearse on the edge of death's door while also trying to protect the few Plainville-resistant survivors (one a vulnerable woman, naturally) from the nauseating Zero, a scheming zombie who's the virus mutated into human form. A masterfully suspenseful, character-driven potboiler paced with humor, shamelessly gratuitous destruction, and Grand Guignol gross-outs.

Pub Date: April 1, 1998

ISBN: 0-688-15622-3

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 1998

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Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

A CONSPIRACY OF BONES

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 23, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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Child builds tension to unbearable extremes, then blows it out in sharply choreographed violence, even if his plot has more...

ECHO BURNING

From the Jack Reacher series , Vol. 5

Smashingly suspenseful fifth in Child’s series (Running Blind, 2000, etc.) lands this British author’s rootless, laconic action hero in southwest Texas, where a femme fatale lures him into a family squabble that inevitably turns violent.

In the kind of daylight-noir setting that Jim Thompson loved, ex-military cop Jack Reacher has his thumb out on a lonely west Texas highway when he’s picked up by Carmine Greer, the Mexican-American wife of bad-ol’-boy Sloop Greer. It seems that Sloop, elder son of a white-trash-turned-oil-rich ranching dynasty, is nearing the end of a prison term for tax evasion, and Carmine, whose body Reacher sees is marked with signs of physical abuse, wants Reacher to be her bodyguard—or, failing that, kill the man in such a way that Carmine can still hold on to her terminally cute six-year-old daughter Ellie. Reacher refuses but decides to meet the folks: Rusty, Sloop’s racist, charmless mother, and Bobby, Sloop’s stupid, pugnacious brother. Meanwhile, a trio of paid assassins is littering the Texas roadside with corpses, starting with Sloop’s lawyer, Al Eugene. In a set-piece as good as anything in Elmore Leonard, Bobby sends two ranch-hands to ambush Reacher at an Abilene roadhouse filled with 20 other cowboys spoiling for a fight. Reacher walks away without a scratch, telling Bobby that his hospitalized ranch-hands have “quit.” Child twists his increasingly hokey plot into a pretzel when Sloop is found dead and Carmine confesses to killing him. Reacher just can’t believe that Carmine is guilty and teams up with Alice Aarons, a leggy Jewish lesbian fresh out of law school, who trusts him with her car, her handgun, and her life.

Child builds tension to unbearable extremes, then blows it out in sharply choreographed violence, even if his plot has more holes in it than the shirt Reacher uses for target practice.

Pub Date: July 1, 2001

ISBN: 0-399-14726-8

Page Count: 368

Publisher: Putnam

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 2001

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