The Southern baroque plot is simply a vehicle, but an entertaining one, for Logan to play war games with a couple of very...

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SOUTH OF SHILOH

A southern sniper’s bullet accidentally takes out a northern Civil War reenactor, causing hostilities to resume in modern Mississippi.

Logan (Homefront, 2005, etc.) goes a thousand miles south from his usual Minnesota territory to Corinth, Miss., where the locals have been growing a tourist industry around the battles fought near the Tennessee border. The other local industry appears to be crime, as Corinth, to its shame, still harbors the kind of tough guys with whom nearby legendary (real-life) sheriff Buford Pusser used regularly to go to war. One of the book’s present-day villains, slimy Mitchell Lee, takes advantage of the confusion surrounding the reenactment of a Corinthian Civil War skirmish to shoot, from a sniper’s position, Deputy Kenny Beeman, the lawman who shot Lee's lowlife cousin and whose law-officer father shot another criminal a generation earlier. But Lee’s bullet fatally hits reenactor Paul Edin, the guy next to Beeman, a sweet Minnesota insurance salesman on his first foray against the Confederate rebel forces. Beeman, who suspects that he was the sniper’s intended target, phones Minnesota with the bad news. Meanwhile, Edin’s widow, Jenny, while her husband was off playing soldier, for the first time in 11 years dropped in on her onetime lover John Rane, the biological father of the daughter Edin lovingly raised. Now Rane, a cop turned prize-winning photojournalist, seizes the chance to do something right for the woman he abandoned when she got pregnant. Grabbing his own family’s Civil War rifle, he heads south to do battle, teaming with Beeman, whose life has been anonymously threatened. The two men, culturally diverse as they may be, find that their similar senses of irony and honor make them a passable duo in the hunt for justice.

The Southern baroque plot is simply a vehicle, but an entertaining one, for Logan to play war games with a couple of very strong and likable soldiers.

Pub Date: April 1, 2008

ISBN: 978-0-06-113669-6

Page Count: 416

Publisher: Harper/HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Feb. 1, 2008

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This is fast-paced, nonstop fun. Cussler fans will gobble it up.

JOURNEY OF THE PHARAOHS

Rumors of lost Egyptian treasure spark high adventure in this 17th in the NUMA series featuring oceanographer Kurt Austin and his crew (Sea of Greed, 2018, etc.).

Over 3,000 years ago, grave robbers sail away with loot from a pharaoh’s tomb. In 1927, Jake Melbourne and his plane disappear in his attempt at a trans-Atlantic flight. In the present day, arms merchants known as the Bloodstone Group have taken to stealing antiquities. They are looking for a “treasure both vast and glorious” that hieroglyphics say was shipped down the Nile and out of Egypt, perhaps even west across the Atlantic. (Holy scurvy! That must’ve been a lot of hard rowing!) The criminals are known to MI5 as “very dangerous people" and "merchants selling death.” Perfectly willing to kill everyone in their way, they are aided by mechanical crows and Fydor and Xandra, nasty sibling assassins jointly called the Toymaker. Such are the foes faced by Austin and his team from the National Underwater and Marine Agency. Of course, Austin has no interest in profit; he will gladly leave the ancient riches wherever they are. Action arrives early and often, and the failed pre-Lindbergh flight fits in neatly. Cussler and Brown concoct a nifty plot with disparate, sometimes over-the-top twists that will make even hardcore adventure fans say “Wow!” Expect claustrophobic gunfights, aerial combat, a life-threatening flood, messages from the dead, coffins of gold—and a vintage classic car, because why not? “We’re going to steal the greatest deposit of Egyptian treasure the world has ever known,” brags the evil mastermind. But he’ll have to climb over the series hero’s dead body first, which—no plot spoiler here—ain’t gonna happen.

This is fast-paced, nonstop fun. Cussler fans will gobble it up.

Pub Date: March 10, 2020

ISBN: 978-0-593-08308-6

Page Count: 432

Publisher: Putnam

Review Posted Online: Jan. 13, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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