A thoroughly imagined environmental nightmare with taut pacing and compelling characters that will leave readers eager for...

UNDER THE EMPYREAN SKY

From the Heartland Trilogy series , Vol. 1

A chilling post-apocalyptic adventure set on an Earth devastated by poor agricultural practices.

For teenager Cael, a good day might be killing a shuck rat for dinner and sailing a land-boat above ultraengineered cornfields to scavenge parts from a wrecked motorvator. A bad day is watching the girl you love become Obligated to your archrival. Welcome to the Empyrean world, where the haves hover above ruined Earth in luxurious flotillas and the have-nots toil below in the Heartland, told whom to marry and what to grow—those “endless…everything” fields of corn that threaten to swallow towns and must be beaten back with “Queeny’s Quietdown,” an ominous herbicide. It’s all just “[l]ife in the Heartland,” resigned citizens say of violent “piss-blizzard” pollen storms, stillborn babies and the tumors that grow like strange fruit on their bodies. When Cael and his friends discover a trail of precious, prohibited vegetables growing deep in the corn, they stumble on a secret that may save them—or get them killed. Wendig offers vivid glimpses of authentic teen emotion and snappy, profanity-laced dialogue set in a grim-yet-plausible wrecked world. With last pages that offer more late-breaking revelation than resolution, this story’s dangling threads will no doubt entice readers to reach for the next book in the Heartland Trilogy.

A thoroughly imagined environmental nightmare with taut pacing and compelling characters that will leave readers eager for more . (Science fiction. 14 & up)

Pub Date: July 30, 2013

ISBN: 978-1-4778-1720-9

Page Count: 368

Publisher: Skyscape

Review Posted Online: May 15, 2013

Kirkus Reviews Issue: June 1, 2013

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

THE WAY I USED TO BE

In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.

Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.

Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)

Pub Date: March 22, 2016

ISBN: 978-1-4814-4935-9

Page Count: 384

Publisher: McElderry

Review Posted Online: Dec. 16, 2015

Kirkus Reviews Issue: Jan. 1, 2016

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