A sensitive, quietly powerful coming-of-age tale.
A young gay man navigates a family, school, and an entire country that holds him in contempt.
Ibeh’s potent debut novel centers on Obiefuna, who in 2006 is 15 years old and living with his family in the Nigerian city of Port Harcourt. His father, a tradesman, brings home a young male apprentice, Aboy. Obiefuna and the new houseguest share little more than flirtatious looks and smiles, but that’s enough to prompt Obiefuna’s father to evict Aboy and send his son to a religious boys’ school. Obiefuna is bright, but the school is more like a physical and sexual proving ground; one classmate draws Obiefuna into a dominant relationship, complete with belt whippings, while another, more overtly gay classmate faces the abuse of his peers. Like any young gay man without a support group, Obiefuna is consumed by feelings of guilt that commingle with sexual desire; the distinction in Nigeria, as Ibeh makes clear, is that cultural homophobia is more acculturated and more pervasively dangerous. Ibeh ably captures Obiefuna’s path from terror to a relatively more open feeling of sexual freedom in his mid-20s, but he’s careful to make his story neither a tragedy nor a liberation tale. If Obiefuna can’t shed a society’s disdain, he can attempt to project kindness, an effort symbolized by his mother’s quiet but consistent support for him. And he can attempt to see the bigotry clearly, symbolized by his choice to pursue a career in optometry. The book has its share of overly melodramatic moments, particularly when Obiefuna’s mother is involved, and some of the protagonist’s experiences are well worn in American gay fiction. But the latter chapters, focused on Nigeria’s specific political, religious, and cultural bigotry—and its painful consequences in the 2010s—are striking and original.
A sensitive, quietly powerful coming-of-age tale.Pub Date: June 4, 2024
ISBN: 9780385550642
Page Count: 288
Publisher: Doubleday
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
An existential crisis that steps on its own final moments.
With only a month left until the world ends due to a swiftly approaching black hole, Don and Rodney, a retired gay couple, road-trip from Maine to Washington to spend their final days with their son.
After reports that a planet-swallowing black hole is making its way toward Earth, Rodney and Don—who have been together for 40 years and survived everything from homophobia to the HIV crisis—decide to pack their belongings into an RV, say goodbye to their neighbors, and travel from Camden, Maine, to Washington to uphold a promise to spend their final days with their son. They can’t wait any longer, since there’s already chaos around the country: “Military vehicles in the streets of most cities and towns. Looting, rioting, the burning of cars and buildings and people, all of it had already happened.” As they make their way west across the country, they encounter fellow travelers ranging from close-knit families to free-spirited hippies, some of whom have come to terms with the impending end of the world and others who haven’t. While the story seems to be asking readers what they would do if they had 30 days left to live, and reflects on what different kinds of acceptance might look like in the face of unavoidable tragedy, it loses some of its poignancy in a series of thinly padded monologues about the meaning of life. Clearly intended to pack an emotional punch, it’s failed by an abrupt ending, and the way the journey’s mystery—which will be obvious to many readers—is revealed by an info dump in the last chapter.
An existential crisis that steps on its own final moments.Pub Date: April 28, 2026
ISBN: 9781250881236
Page Count: 176
Publisher: Tor
Review Posted Online: March 9, 2026
Kirkus Reviews Issue: April 1, 2026
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