A delightful drama with well-done supernatural elements that heighten the themes of anger and forgiveness.
In this YA novel from Swanson (Perilous: A Ripple Novel, 2015, etc), a ballet-obsessed teenager in Oregon confronts dangerous sirens, her family’s mysterious history, and, most frightening of all, the need to forgive her mom.
Foulweather, Oregon, is “bucolic without being idyllic,” the sort of town Portlanders visit only if they take a wrong turn. But Foulweather is where Giselle Chekhov and her ballet-fixated family live—despite the danger presented by the enigmatic (and rarely seen) sirens. Giselle’s mother runs the ballet studio there. A star dancer, Giselle seems on track for the title role in a story ballet about menacing spirits, the very piece that she is named after. (And, according to her grandmother, the reason why the sirens are being seen again.) The students in levels four and five at the studio “would all kill to dance the part of Giselle. Giselle Chekhov, however, wouldn’t have to. The role had always been hers,” Giselle muses. But when her mom declares that Giselle is too tall for ballet, she is forced to attend the drama class at her performing arts high school. Fortunately, there’s a sexy boy in the class who makes her feel like she matters. Unfortunately, she has to process her mother’s ballet betrayal, her aching for her dancing life, and the maybe supernatural sirens who visit her in her dreams. Swanson sensitively captures a particular teen experience, detailing Giselle’s occasional bafflement over her immigrant grandmother and mother’s Russian ways, and her drive to succeed at ballet. But while Giselle may face quintessential (or, depending on the reader’s point of view, clichéd) teen dilemmas like getting into romantic trouble, she remains an engaging character, with her love for her younger sister especially well drawn. Swanson’s prose is strong and insightful. (And funny too at times: those who spent time in high school drama class may recognize the truth in Giselle’s arch remark, “Drama students in tears, thought Giselle. What a surprise.”) The author doesn’t offer many reasons to fear for Giselle—for instance, the audition she feels nervous about ends in a standing ovation. But there’s such a strong voice to the characters that it’s a pleasure to spend time with them.
A delightful drama with well-done supernatural elements that heighten the themes of anger and forgiveness.Pub Date: Nov. 14, 2015
ISBN: 978-1-939543-36-3
Page Count: 388
Publisher: Williams Press
Review Posted Online: Jan. 5, 2016
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Cameron’s Huey and Julian stories (More Stories Huey Tells, 1997, etc.) are in for a treat as Gloria, their friend from those tales, gets a book of her own and graciously allows the two brothers to share it . In the first tale, Gloria makes a wonderful card for her mother, but the wind blows it away and it ends up in the cage of a cantankerous parrot. Thanks to Mr. Bates, Huey and Julian’s dad, the day is saved, as is the burgeoning friendship that Gloria and the boys have struck up with new neighbor Latisha in the story, “The Promise.” In another story, Gloria has to deal with a huge problem—fractions—and this time it’s her dad who helps her through it. Mr. Bates proves helpful again when the group trains an “obsessed” puppy, while Gloria’s mother is supportive when Gloria is unintentionally hurt by her three best friends. The stories are warm and funny, as Gloria, a spunky kid who gets into some strange predicaments, finds out that her friends and wise, loving adults are good to have around when trouble beckons. Great fun, with subtly placed, positive messages that never take center stage. (b&w illustrations) (Fiction. 8-12)
Pub Date: March 9, 2000
ISBN: 0-374-32670-3
Page Count: 93
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
There is something profoundly elemental going on in Smalls’s book: the capturing of a moment of unmediated joy. It’s not melodramatic, but just a Saturday in which an African-American father and son immerse themselves in each other’s company when the woman of the house is away. Putting first things first, they tidy up the house, with an unheralded sense of purpose motivating their actions: “Then we clean, clean, clean the windows,/wipe, wipe, wash them right./My dad shines in the windows’ light.” When their work is done, they head for the park for some batting practice, then to the movies where the boy gets to choose between films. After a snack, they work their way homeward, racing each other, doing a dance step or two, then “Dad takes my hand and slows down./I understand, and we slow down./It’s a long, long walk./We have a quiet talk and smile.” Smalls treats the material without pretense, leaving it guileless and thus accessible to readers. Hays’s artwork is wistful and idyllic, just as this day is for one small boy. (Picture book. 5-8)
Pub Date: April 1, 1999
ISBN: 0-316-79899-1
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
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