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REMEMBERING WHITNEY

MY STORY OF LOVE, LOSS, AND THE NIGHT THE MUSIC STOPPED

Fans of the Houston ladies will laugh, cry and beg for more. The rest of us will shrug and move on.

A talented, flawed artist, seen through the eyes of a loving, forgiving mother.

Considering what her daughter put her through, most readers will be impressed by Cissy’s patience and unconditional loyalty. Cissy, a well-respected yet underappreciated vocalist herself, relates Whitney's highest highs and lowest lows with honesty, but not much in the way of introspection or insight. The narrative proceeds in a this-happened-then-this-happened-then-this-happened fashion, readable and breezy but lacking depth. Cissy all but glosses over her own impressive career, which is unfortunate, since she recorded as a background vocalist for Wilson Pickett, Van Morrison, Jimi Hendrix, Aretha Franklin, Paul Simon, Gregg Allman, David Bowie, Diana Ross and many others. Still, there is plenty of material that Houston devotee’s will find fascinating: Young Whitney's (aka Nippy) childhood thrall with music and her speedy ascension up the music-industry ladder; the insider view of the behind-the-scenes machinations that helped Whitney get to and remain at the top of the charts; and Whitney's true feelings about fame. Many readers will pick up the book hoping to learn the real deal about her tumultuous, toxic relationship with fellow singer Bobby Brown and her descent into substance-abuse–based madness. While Cissy details how she bent over backward to save her daughter, she offers precious little information about what happened in the Houston/Brown household. However, that sort of salacious material would be out of place in this mostly affectionate remembrance of an iconic singer whose whole story will likely never be told.

Fans of the Houston ladies will laugh, cry and beg for more. The rest of us will shrug and move on.

Pub Date: Jan. 29, 2013

ISBN: 978-0-06-223839-9

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: Feb. 4, 2013

Kirkus Reviews Issue: March 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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