Best of all, the final pages find Box’s hard-used hero both triumphantly successful and in deep trouble once again in...
A new governor demanding special favors means a new assignment and new problems for Wyoming Fish and Game Warden Joe Pickett.
It’s not Gov. Colter Allen’s fault that high-profile British ad-agency CEO Kate Shelford-Longden disappeared somewhere between Silver Creek Ranch, the ultra-posh dude ranch where she’d just spent a week been pampered within an inch of her life, and the Denver airport several months ago. But his wife and other folks are leaning on him, so he leans on Joe (Vicious Circle, 2017, etc.) to drive the 300 miles to Saratoga in the depth of a January freeze and get the answers that have eluded Carbon County Sheriff Ron Neal and the Wyoming Department of Criminal Investigation. Bullied by the governor, Joe agrees to look into the case. Luckily, he has an in: His daughter, Sheridan, who’s been working at Silver Creek as a horse wrangler, got fairly close to the missing woman and knows all the ins and outs of the place. The staff at Silver Creek has been vetted more closely than most vice presidential candidates, but several contractors with access to the ranch seem suspicious enough to make likely suspects. Before Joe can make any real progress, though, the case notes he’s been given by Connor Hanlon, the governor’s dislikable chief of staff, are stolen, and his old friend Nate Romanowski, the “outlaw falconer” he’s been specifically ordered to keep away from, drops in to ask Joe a serious, albeit apparently unrelated, favor. The case turns out, rather disappointingly, to be two cases. But it’s a treat to see Joe’s daughter pulled into working with her father; there’s an unexpected role for his reptilian mother-in-law, the imperishable Missy Vankueren; a false lead he follows will have readers whooping with laughter; and both cases are wound up in highly satisfactory ways.
Best of all, the final pages find Box’s hard-used hero both triumphantly successful and in deep trouble once again in perhaps the most finely balanced conclusion in this rewarding series.Pub Date: March 27, 2018
ISBN: 978-0-399-17662-3
Page Count: 400
Publisher: Putnam
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
This thriller is taut and fast-paced but lacks compelling protagonists.
Three siblings who have been out of touch for more than 20 years grapple with their unsettling childhoods, but when the youngest inherits the family home, all are drawn back together.
At the age of 25, Libby Jones learns she has inherited a large London house that was held in a trust left to her by her birthparents. When she visits the lawyer, she is shocked to find out that she was put up for adoption when she was 10 months old after her parents died in the house in an apparent suicide pact with an unidentified man and that she has an older brother and sister who were teenagers at the time of their parents' deaths and haven't been seen since. Meanwhile, in alternating narratives, we're introduced to Libby's sister, Lucy Lamb, who's on the verge of homelessness with her two children in the south of France, and her brother, Henry Lamb, who's attempting to recall the last few disturbing years with his parents during which they lost their wealth and were manipulated into letting friends move into their home. These friends included the controlling but charismatic David Thomsen, who moved his own wife and two children into the rooms upstairs. Henry also remembers his painful adolescent confusion as he became wildly infatuated with Phineas, David’s teenage son. Meanwhile, Libby connects with Miller Roe, the journalist who covered the story about her family, and the pair work together to find her brother and sister, determine what happened when she was an infant, and uncover who has recently been staying in the vacant house waiting for Libby to return. As Jewell (Watching You, 2018, etc.) moves back and forth from the past to the present, the narratives move swiftly toward convergence in her signature style, yet with the exception of Lucy’s story, little suspense is built up and the twists can’t quite make up for the lack of deep characters and emotionally weighty moments.
This thriller is taut and fast-paced but lacks compelling protagonists.Pub Date: Nov. 5, 2019
ISBN: 978-1-5011-9010-0
Page Count: 320
Publisher: Atria
Review Posted Online: Aug. 18, 2019
Kirkus Reviews Issue: Sept. 1, 2019
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.
A lonely British schoolteacher falls for an American man incarcerated for the murder of a young woman. What could possibly go wrong?
Samantha, 31, is still reeling from a bad breakup when she discovers Framing the Truth: The Murder of Holly Michaels, an 18-year-old true-crime documentary about the killing of a young girl by then-18-year-old Dennis Danson, aka the suspected Red River Killer, who’s still on death row in Florida’s Altoona Prison. Sam writes to Dennis, and soon they’re declaring their love for each other. Sam flies to the U.S. to meet him, and although they’re separated by plexiglass, she knows that she’s found the love of her life. The chirpy Carrie, who co-produced and directed the first documentary, is Sam’s guide while she’s there, and Sam accompanies her while they film a new series about Dennis, A Boy from Red River. Sam and Dennis quickly marry when new evidence comes to light and Dennis is exonerated and released. Amid a whirlwind of talk shows, celebrity attention, and the new series premiere, married life isn’t quite what Sam had hoped for: intimacy is nonexistent, the already self-loathing Sam feels unloved and unwanted, and the appearance of Dennis’ clingy childhood friend Lindsay Durst sends Sam into a jealous fit. After Dennis’ father dies, they move into Dennis’ childhood home, and Sam begins to suspect he may be hiding something. After all, what actually happened to all those other missing girls? Refreshingly, Lloyd seems absolutely unconcerned with whether or not her characters are likable, and although a few British sayings ("round," “in hospital”) make their way into the dialogue of the American characters, her research into the aftereffects of long incarceration is obvious, and her portrait of an emotionally damaged woman feels spot-on.
A grim and unbearably tense debut chiller with an unexpected and utterly fitting finale.Pub Date: Feb. 6, 2018
ISBN: 978-1-335-95240-0
Page Count: 320
Publisher: Hanover Square Press
Review Posted Online: Dec. 23, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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