This tale of sorrow and letting go aptly highlights the characters while fusing dual eras.
In McGroarty’s suspense novel, a grieving widow suspects her newly purchased Philadelphia home is haunted.
Libby Casey, who runs a design business, is inexplicably drawn to a colonial house for sale. She thinks moving there may be the change she needs, as she’s still in the home where she lived with her beloved husband, Ray, who died only 18 months earlier. She’s not at her new home for long before strange things begin to happen: A chair scrapes across the floor in the dead of night, and a glove, which her border collie mix Buck had found, mysteriously moves. These are just the first of many similar incidents, all of which Libby soon attributes to a ghost, likely the former homeowner from back in the 18th century. She dives into the estate’s history assisted by a diary excerpt and her eccentric neighbor, who may be psychic (the woman dismisses labels). Libby will do whatever she can to get rid of this ghost so that she (and maybe the spirit, too) can live in peace. McGroarty zeroes in on the bright cast, providing enriching details; Libby still mourns her lost husband and has trouble sleeping. As the ghost seemingly takes over her life, she deals with assorted reactions: Her amiable business partner, Harry, is supportive, but her friend Diana, sadly, tends to question Libby’s unsettling experiences (“I just think you might need a rest”). Though the ghostly occurrences are more curious than frightening, a concurrent plotline set in the 1700s turns increasingly dark. Along with the alternating plotlines, Libby’s concise narration keeps everything moving at a steady clip as she inches closer to revealing secrets, including one of her own. The wrap-up is wholly satisfying for every character, both present and past.
This tale of sorrow and letting go aptly highlights the characters while fusing dual eras.Pub Date: July 1, 2025
ISBN: 9781956615494
Page Count: 286
Publisher: Literary Wanderlust
Review Posted Online: June 30, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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