The story looks beautiful, but the depths of the issue are never plumbed.
A mouse disturbs a monkey’s tranquility but soon turns from irksome to indispensable in Alexander’s tale of friendship’s often strange course.
First, however, the artwork: a lovely combination of media creates landscapes and companionable characters in a broad range of sunny (if not particularly jungly) pastels. The story: Monkey lives alone in the jungle (“he liked it that way”), munching on bananas, reading in the crook of a tree limb, swimming in the cool, cool water of the lake. Little One (a mouse) appears, unbidden and unwanted. Monkey politely asks him to scram. Mouse is not conversant with “monkey-speak,” so he blithely settles in under Monkey’s hammock. Little One follows Monkey everywhere, innocently mimicking him (except for the bananas: “Yuck!”) and holding out peace offering after peace offering. Finally, Monkey erupts: “Leave me alone!”; and Little One does. Monkey finds himself discomfited. It’s not remorse or loneliness but something ineffable: “somehow it didn’t feel the same as before.” Monkey goes in search of Little One and welcomes him back. “The Little One still followed Monkey everywhere...but somehow Monkey didn’t mind anymore.” Somehow—but what changed Monkey’s mind? Sharing company can be a complicated, contradictory, confusing (dis)pleasure, but “somehow” doesn’t pass muster. There is nothing here for young readers to hang their hats on, no takeaway.
The story looks beautiful, but the depths of the issue are never plumbed. (Picture book. 3-6)Pub Date: May 5, 2015
ISBN: 978-1-4549-1580-5
Page Count: 32
Publisher: Sterling
Review Posted Online: March 2, 2015
Kirkus Reviews Issue: March 15, 2015
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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