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MONKEY AND THE LITTLE ONE

The story looks beautiful, but the depths of the issue are never plumbed.

A mouse disturbs a monkey’s tranquility but soon turns from irksome to indispensable in Alexander’s tale of friendship’s often strange course.

First, however, the artwork: a lovely combination of media creates landscapes and companionable characters in a broad range of sunny (if not particularly jungly) pastels. The story: Monkey lives alone in the jungle (“he liked it that way”), munching on bananas, reading in the crook of a tree limb, swimming in the cool, cool water of the lake. Little One (a mouse) appears, unbidden and unwanted. Monkey politely asks him to scram. Mouse is not conversant with “monkey-speak,” so he blithely settles in under Monkey’s hammock. Little One follows Monkey everywhere, innocently mimicking him (except for the bananas: “Yuck!”) and holding out peace offering after peace offering. Finally, Monkey erupts: “Leave me alone!”; and Little One does. Monkey finds himself discomfited. It’s not remorse or loneliness but something ineffable: “somehow it didn’t feel the same as before.” Monkey goes in search of Little One and welcomes him back. “The Little One still followed Monkey everywhere...but somehow Monkey didn’t mind anymore.” Somehow—but what changed Monkey’s mind? Sharing company can be a complicated, contradictory, confusing (dis)pleasure, but “somehow” doesn’t pass muster. There is nothing here for young readers to hang their hats on, no takeaway.

The story looks beautiful, but the depths of the issue are never plumbed. (Picture book. 3-6)

Pub Date: May 5, 2015

ISBN: 978-1-4549-1580-5

Page Count: 32

Publisher: Sterling

Review Posted Online: March 2, 2015

Kirkus Reviews Issue: March 15, 2015

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THE WILD ROBOT ON THE ISLAND

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.

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What happens when a robot washes up alone on an island?

“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.

A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)

Pub Date: June 24, 2025

ISBN: 9780316669467

Page Count: 48

Publisher: Little, Brown

Review Posted Online: March 22, 2025

Kirkus Reviews Issue: April 15, 2025

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IT'S NOT EASY BEING A GHOST

From the It's Not Easy Being series

Too cute to be spooky indeed but most certainly sweet.

A ghost longs to be scary, but none of the creepy personas she tries on fit.

Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.

Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)

Pub Date: Aug. 13, 2024

ISBN: 9780593702901

Page Count: 32

Publisher: Random House

Review Posted Online: May 17, 2024

Kirkus Reviews Issue: June 15, 2024

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