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LEAVING A DOLL'S HOUSE

A MEMOIR

In her exquisite 1982 mini-memoir, Limelight and After, Bloom recalled her legendary collaboration with Chaplin—and, by telling just a little, enhanced her image as the most gently elegant of stars. Now the ``English Rose'' (who has never hidden her Jewishness) more or less Tells All, in an absorbing but saddening autobiography that stresses her humiliations in love. The story up to 1951 is much as it was in the earlier book: strained childhood (a WW II sojourn with unpleasant US relatives, desertion by father Eddie); teenage theater success; the instant celebrity of Limelight. Next: the Old Vic and first love with married costar Richard Burton—a five-year secret affair with a bittersweet end . . . and a short, sour reprise years later, when Burton was also dallying with Susan Strasberg. (Bloom cheerfully snipes at Liz Taylor, for whom Burton did leave his wife.) The Richard III film brought a loveless mini-affair with dazzling Laurence Olivier; magnetic Yul Brynner briefly added Bloom to his Hollywood ``harem,'' leaving her ``relatively unwounded.'' Husband #1, Rod Steiger, was Method-obsessed, often depressed, and wanted Bloom home in L.A., not pursuing her stage career. Husband #2, Hillard Elkins, was into drugs and kinky sex—but showcased Bloom in classy productions of Ibsen and Streetcar. Anthony Quinn, nasty as a director, was Bloom's only one-night stand. And the book's last 100 pages focus on her 18 years with brilliant, erratic Philip Roth: his selfish demands, which damaged Bloom's relationship with her daughter; his ruthless fictional use of personal material; his illnesses, Halcion-induced breakdown, sadistic infidelities, and rejections. With an iffy fade-out and much unexplored psychological territory, this literate, dispiriting memoir doesn't quite work as a tale of hard-won emotional independence. But it's dense with rewards for theater/film buffs and sure to be grabbed up by anyone interested in the reality behind all those self-portraits in Roth's tricky fiction.

Pub Date: Oct. 14, 1996

ISBN: 0-316-09980-5

Page Count: 272

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1996

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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