Flakey younger sis tries to shake her inability to commit.
Ginger Walsh has always been envious of those possessing passion and conviction. Over the years she’s blindly wandered from job to job and man to man. Now 41, Ginger is back in her hometown falling into a spinster-like existence. She freeloads off her parents and earns spare cash babysitting the kids of her annoyingly composed sister, Geri. Geri and Ginger have never gotten along, with Geri always taking the straight and narrow path and Ginger opting for the road less traveled. Now Geri’s 50th birthday is looming, and she feels trapped by her roles of executive, wife and mother. As for Ginger, she wonders if her restless ways have kept her from experiencing the joys of family and a fulfilling career. When a movie crew lands in their small New England town, the sisters are given a chance to shake things up. Ginger takes Geri’s kids to the movie’s casting call, and though Ginger doesn’t get discovered, one of Geri’s kids is picked for a speaking part in the movie. Since Geri is obsessed with her career, she pawns the caretaker role off on Ginger. Ginger leaps at the chance to be a de facto stage mom. Accompanying her nephew on location will help her avoid analyzing her latest flagging romance and perhaps spark some creative energy. Soon the sisters will need each other to confront disappointment and heartbreak. While their rivalry provides a few giggles, the overall effect feels forced.
Cook (Multiple Choice, 2004, etc.) ably catalogues the issues facing 40-something women, but the generic settings and tepid romances prevent this book from taking off.Pub Date: June 5, 2007
ISBN: 1-4013-0324-2
Page Count: 272
Publisher: Voice/Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
Categories: ROMANCE | CONTEMPORARY ROMANCE | GENERAL ROMANCE
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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
219
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Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
Categories: GENERAL ROMANCE | ROMANCE | CONTEMPORARY ROMANCE
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SEEN & HEARD
SEEN & HEARD
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable...
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Sydney and Ridge make beautiful music together in a love triangle written by Hoover (Losing Hope, 2013, etc.), with a link to a digital soundtrack by American Idol contestant Griffin Peterson.
Hoover is a master at writing scenes from dual perspectives. While music student Sydney is watching her neighbor Ridge play guitar on his balcony across the courtyard, Ridge is watching Sydney’s boyfriend, Hunter, secretly make out with her best friend on her balcony. The two begin a songwriting partnership that grows into something more once Sydney dumps Hunter and decides to crash with Ridge and his two roommates while she gets back on her feet. She finds out after the fact that Ridge already has a long-distance girlfriend, Maggie—and that he's deaf. Ridge’s deafness doesn’t impede their relationship or their music. In fact, it creates opportunities for sexy nonverbal communication and witty text messages: Ridge tenderly washes off a message he wrote on Sydney’s hand in ink, and when Sydney adds a few too many e’s to the word “squee” in her text, Ridge replies, “If those letters really make up a sound, I am so, so glad I can’t hear it.” While they fight their mutual attraction, their hope that “maybe someday” they can be together playfully comes out in their music. Peterson’s eight original songs flesh out Sydney’s lyrics with a good mix of moody musical styles: “Living a Lie” has the drama of a Coldplay piano ballad, while the chorus of “Maybe Someday” marches to the rhythm of the Lumineers. But Ridge’s lingering feelings for Maggie cause heartache for all three of them. Independent Maggie never complains about Ridge’s friendship with Sydney, and it's hard to even want Ridge to leave Maggie when she reveals her devastating secret. But Ridge can’t hide his feelings for Sydney long—and they face their dilemma with refreshing emotional honesty.
Hoover is one of the freshest voices in new-adult fiction, and her latest resonates with true emotion, unforgettable characters and just the right amount of sexual tension.Pub Date: March 18, 2014
ISBN: 978-1-4767-5316-4
Page Count: 384
Publisher: Atria
Review Posted Online: May 6, 2014
Categories: ROMANCE | CONTEMPORARY ROMANCE | FAMILY LIFE & FRIENDSHIP
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