Substantial research informs this sympathetic and vibrant biography. (36 b&w photos)
An important, comprehensive view of the pioneering novelist and playwright (1752–1840).
Burney, who has been enjoying a recent revival (Janice Farrar Thaddeus’s Frances Burney, 2000), has a thorough and compassionate critic in Harman (ed., The Diaries of Sylvia Towsend Warner, 1996). Harman acknowledges that the Burney family archive is so extensive that “scholars grow gray” attempting to digest it, but she has managed well the complications of sifting such literary sands. Harman sees Burney as an inventor, not just of novels and plays, but of her own life (her autobiographical writings are notoriously inaccurate). “Is she an inveterate liar,” asks Harman, “or an inveterate writer?” Her answer is the latter. Burney’s celebrated father, Dr. Charles Burney, musician, writer, and teacher, reared a large family, encouraging his children to enjoy the intellectual life. Fanny, the second daughter, was surprisingly slow to read, but once she began, she never really stopped. She was soon writing regularly and composed and published her first novel (Evelina, 1778) without telling her father. She then had the delicious experience of watching friends and family read and enjoy her novel, without knowing its authorship. Her literary celebrity (which was considerable) was several times interrupted, once by her appointment to the court of George III (Burney attended Queen Charlotte for five years), another time by the rise of Napoleon (when Napoleon declared war on England, she was trapped in France for nine years with her French husband). Although the author’s focus is on Fanny, she periodically explores the careers of her siblings (and her sad son, who preceded her in death), a decision that both enriches Fanny’s story and illustrates how remarkable it was. Included are the agonizing details of Burney’s 1811 mastectomy, performed without anesthetic. Harman notes that Fanny was no feminist and would have been “shocked and distressed” to have been classified as such.
Substantial research informs this sympathetic and vibrant biography. (36 b&w photos)Pub Date: Aug. 30, 2001
ISBN: 0-679-44658-3
Page Count: 400
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2001
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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