Subversive and gratifying.
A Gen Z vampire suffers an identity crisis.
Lydia—a 23-year-old vampire of Japanese, Malaysian, and British descent who recently graduated art school—is excited to move to London and get a place of her own, but after dropping off her addled mother—also a vampire, and Lydia’s sire—at the Crimson Orchard nursing facility in Margate, little goes according to plan. Her single suitcase of belongings goes missing. Her unpaid gallery internship consists of nothing but bizarre busywork and unwanted advances from her lecherous boss. She has no idea what type of artist she wants to be, the boy she likes is dating someone else, and nobody in the city sells fresh pig’s blood, which is the only substance her self-loathing mum ever permitted the two of them to consume. (“Pigs are dirty. It’s what your body deserves.”) Lonely, listless, and starving, Lydia spends nights and weekends holed up in her windowless studio, bingeing Buffy the Vampire Slayer and watching YouTube videos of strangers eating, desperate for the kind of connection to the Earth and other people that actual food allows humans to feel. Debut author Kohda makes clever use of her premise to explore weighty topics—including cultural alienation, disordered eating, emotional abuse, sexual assault, the stressors of navigating adulthood, and caring for an aging parent—with sensitivity. Though aimless to start, Lydia’s achingly vulnerable first-person narration gains momentum as she achieves self-acceptance—and, ultimately, self-empowerment.
Subversive and gratifying.Pub Date: April 12, 2022
ISBN: 978-0-06-314088-2
Page Count: 272
Publisher: HarperVia
Review Posted Online: Jan. 25, 2022
Kirkus Reviews Issue: Feb. 15, 2022
Loyal King stans may disagree, but this is a snooze.
A much-beloved author gives a favorite recurring character her own novel.
Holly Gibney made her first appearance in print with a small role in Mr. Mercedes (2014). She played a larger role in The Outsider (2018). And she was the central character in If It Bleeds, a novella in the 2020 collection of the same name. King has said that the character “stole his heart.” Readers adore her, too. One way to look at this book is as several hundred pages of fan service. King offers a lot of callbacks to these earlier works that are undoubtedly a treat for his most loyal devotees. That these easter eggs are meaningless and even befuddling to new readers might make sense in terms of costs and benefits. King isn’t exactly an author desperate to grow his audience; pleasing the people who keep him at the top of the bestseller lists is probably a smart strategy, and this writer achieved the kind of status that whatever he writes is going to be published. Having said all that, it’s possible that even his hardcore fans might find this story a bit slow. There are also issues in terms of style. Much of the language King uses and the cultural references he drops feel a bit creaky. The word slacks occurs with distracting frequency. King uses the phrase keeping it on the down-low in a way that suggests he probably doesn’t understand how this phrase is currently used—and has been used for quite a while. But the biggest problem is that this narrative is framed as a mystery without delivering the pleasures of a mystery. The reader knows who the bad guys are from the start. This can be an effective storytelling device, but in this case, waiting for the private investigator heroine to get to where the reader is at the beginning of the story feels interminable.
Loyal King stans may disagree, but this is a snooze.Pub Date: Sept. 5, 2023
ISBN: 9781668016138
Page Count: 464
Publisher: Scribner
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
SEEN & HEARD
The writing is inspired, the imaginative power near mystic, but some will wish for more plot.
This historical fever dream of a novel follows the flight of a servant girl through the Colonial American wilderness, red in tooth and claw.
As in her last novel, Matrix (2021), Groff’s imaginative journey into a distant time and place is powered by a thrumming engine of language and rhythm. “She had chosen to flee, and in so choosing, she had left behind her everything she had, her roof, her home, her country, her language, the only family she had ever known, the child Bess, who had been born into her care when she was herself a small child of four years or so, her innocence, her understanding of who she was, her dreams of who she might one day be if only she could survive this starving time." Those onrushing sentences will follow the girl, “sixteen or seventeen or perhaps eighteen years of age,” through the wilderness surrounding the desperate colony, driven by famine and plague into barbarism, through the territory of “the powhatan and pamunkey” to what she hopes will be “the settlements of frenchmen, canada,” a place she once saw pointed out on a map. The focus is on the terrors of survival, the exigencies of starvation, the challenges of locomotion, the miseries of a body wounded, infected, and pushed beyond its limit. What plot there is centers on learning the reason for her flight and how it will end, but the book must be read primarily for its sentences and the light it shines on the place of humans in the order of the world. Whether she is eating baby birds and stealing the fluff from the mother’s nest to line her boots, having a little tea party with her meager trove of possessions, temporarily living inside a tree trunk that comes with a pantry full of grubs (spiders prove less tasty), or finally coming to rest in a way neither she nor we can foresee, immersion in the girl’s experience provides a virtual vacation from civilization that readers may find deeply satisfying.
The writing is inspired, the imaginative power near mystic, but some will wish for more plot.Pub Date: Sept. 12, 2023
ISBN: 9780593418390
Page Count: 272
Publisher: Riverhead
Review Posted Online: June 8, 2023
Kirkus Reviews Issue: July 1, 2023
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
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