A fever dream of a novel that will enchant fans of contemporary fabulism.
A mother's unconditional love for her unusual child—an "owl-baby"—drastically changes her life and her world.
"Each of us knows from experience that birthing any child is the start of a lifelong terrorization by the very child we love, and yet we mothers are able to bear it because we love our children more than we love our own lives, even as our children blithely seek to destroy us." Tiny draws this conclusion several months into her new life as the mother of Chouette, a baby she conceived not with her husband, who is "kind, strong, steady, normal, and a bit of a looker," but with her owl lover, who is "giant, musky, molting, monstrous, amoral, uncivilized and fickle." As it turns out, her husband is horrified by the baby—whom he insists on calling Charlotte—as is the medical establishment, including Doctor Canola, who pronounces terrible diagnoses, and Doctor Great, who offers deforming treatments. (Doctor Booze, however, doesn't see much of a problem.) Even before Chouette's birth, Tiny realizes she will have to give up her career as a cellist—though music still fills her head, and a playlist of all the pieces mentioned in the book is included in an appendix. She basically ends up renouncing human society altogether as she learns how to care for her unique child, involving a steady supply of mice and shrews, a nocturnal schedule, and a driving need to hunt, claw, and eviscerate. After her husband essentially abandons Tiny and Chouette—though he never abandons his frantic quest for a "cure"—Tiny's extreme loneliness is interrupted by a surprise visit from one of her sisters-in-law, and that is just one of many unexpected and sometimes frightening directions her life will now take. Oshetsky's writing is virtuosic, laced with dry humor, and perfectly matched to the parable she unfolds in this impressive debut. As Tiny puts it, "I prefer to speak in metaphor: That way no logic can trap me, and no rule can bind me, and no fact can limit me or decide for me what's possible."
A fever dream of a novel that will enchant fans of contemporary fabulism.Pub Date: Nov. 16, 2021
ISBN: 978-0-06-306667-0
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: July 9, 2021
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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