by Claire Oshetsky ‧ RELEASE DATE: Nov. 16, 2021
A fever dream of a novel that will enchant fans of contemporary fabulism.
A mother's unconditional love for her unusual child—an "owl-baby"—drastically changes her life and her world.
"Each of us knows from experience that birthing any child is the start of a lifelong terrorization by the very child we love, and yet we mothers are able to bear it because we love our children more than we love our own lives, even as our children blithely seek to destroy us." Tiny draws this conclusion several months into her new life as the mother of Chouette, a baby she conceived not with her husband, who is "kind, strong, steady, normal, and a bit of a looker," but with her owl lover, who is "giant, musky, molting, monstrous, amoral, uncivilized and fickle." As it turns out, her husband is horrified by the baby—whom he insists on calling Charlotte—as is the medical establishment, including Doctor Canola, who pronounces terrible diagnoses, and Doctor Great, who offers deforming treatments. (Doctor Booze, however, doesn't see much of a problem.) Even before Chouette's birth, Tiny realizes she will have to give up her career as a cellist—though music still fills her head, and a playlist of all the pieces mentioned in the book is included in an appendix. She basically ends up renouncing human society altogether as she learns how to care for her unique child, involving a steady supply of mice and shrews, a nocturnal schedule, and a driving need to hunt, claw, and eviscerate. After her husband essentially abandons Tiny and Chouette—though he never abandons his frantic quest for a "cure"—Tiny's extreme loneliness is interrupted by a surprise visit from one of her sisters-in-law, and that is just one of many unexpected and sometimes frightening directions her life will now take. Oshetsky's writing is virtuosic, laced with dry humor, and perfectly matched to the parable she unfolds in this impressive debut. As Tiny puts it, "I prefer to speak in metaphor: That way no logic can trap me, and no rule can bind me, and no fact can limit me or decide for me what's possible."
A fever dream of a novel that will enchant fans of contemporary fabulism.Pub Date: Nov. 16, 2021
ISBN: 978-0-06-306667-0
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: July 9, 2021
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by R.F. Kuang ‧ RELEASE DATE: May 16, 2023
A quick, biting critique of the publishing industry.
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What happens when a midlist author steals a manuscript and publishes it as her own?
June Hayward and Athena Liu went to Yale together, moved to D.C. after graduation, and are both writers, but the similarities end there. While June has had little success since publication and is struggling to write her second novel, Athena has become a darling of the publishing industry, much to June’s frustration. When Athena suddenly dies, June, almost accidentally, walks off with her latest manuscript, a novel about the World War I Chinese Labour Corps. June edits the novel and passes it off as her own, and no one seems the wiser, but once the novel becomes a smash success, cracks begin to form. When June faces social media accusations and staggering writer’s block, she can’t shake the feeling that someone knows the truth about what she’s done. This satirical take on racism and success in the publishing industry at times veers into the realm of the unbelievable, but, on the whole, witnessing June’s constant casual racism and flimsy justifications for her actions is somehow cathartic. Yes, publishing is like this; finally someone has written it out. At times, the novel feels so much like a social media feed that it’s impossible to stop reading—what new drama is waiting to unfold. and who will win out in the end? An incredibly meta novel, with commentary on everything from trade reviews to Twitter, the ultimate message is clear from the start, which can lead to a lack of nuance. Kuang, however, does manage to leave some questions unanswered: fodder, perhaps, for a new tweetstorm.
A quick, biting critique of the publishing industry.Pub Date: May 16, 2023
ISBN: 9780063250833
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 22, 2023
Kirkus Reviews Issue: March 15, 2023
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