A fever dream of a novel that will enchant fans of contemporary fabulism.
A mother's unconditional love for her unusual child—an "owl-baby"—drastically changes her life and her world.
"Each of us knows from experience that birthing any child is the start of a lifelong terrorization by the very child we love, and yet we mothers are able to bear it because we love our children more than we love our own lives, even as our children blithely seek to destroy us." Tiny draws this conclusion several months into her new life as the mother of Chouette, a baby she conceived not with her husband, who is "kind, strong, steady, normal, and a bit of a looker," but with her owl lover, who is "giant, musky, molting, monstrous, amoral, uncivilized and fickle." As it turns out, her husband is horrified by the baby—whom he insists on calling Charlotte—as is the medical establishment, including Doctor Canola, who pronounces terrible diagnoses, and Doctor Great, who offers deforming treatments. (Doctor Booze, however, doesn't see much of a problem.) Even before Chouette's birth, Tiny realizes she will have to give up her career as a cellist—though music still fills her head, and a playlist of all the pieces mentioned in the book is included in an appendix. She basically ends up renouncing human society altogether as she learns how to care for her unique child, involving a steady supply of mice and shrews, a nocturnal schedule, and a driving need to hunt, claw, and eviscerate. After her husband essentially abandons Tiny and Chouette—though he never abandons his frantic quest for a "cure"—Tiny's extreme loneliness is interrupted by a surprise visit from one of her sisters-in-law, and that is just one of many unexpected and sometimes frightening directions her life will now take. Oshetsky's writing is virtuosic, laced with dry humor, and perfectly matched to the parable she unfolds in this impressive debut. As Tiny puts it, "I prefer to speak in metaphor: That way no logic can trap me, and no rule can bind me, and no fact can limit me or decide for me what's possible."
A fever dream of a novel that will enchant fans of contemporary fabulism.Pub Date: Nov. 16, 2021
ISBN: 978-0-06-306667-0
Page Count: 256
Publisher: Ecco/HarperCollins
Review Posted Online: July 9, 2021
BOOK REVIEW
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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