by Claire Rudolf Murphy ; illustrated by Bryan Collier ‧ RELEASE DATE: June 3, 2014
This examination of a well-known piece of music and the activism it inspired makes for a fascinating way to explore history.
One of the first patriotic songs young Americans learn in school is “America,” more commonly known as “My Country, ’Tis of Thee.”
At some point, many also learn it shares its melody with the British anthem, “God Save the Queen.” What is not so familiar is how several different versions of the words have appeared through the years and how many groups and movements used these versions to fuel their efforts for expanded rights. From the tune’s first appearance in 1740s England as a way to support the monarch, during the Revolutionary War and beyond, lyrics were written and rewritten to reflect sometimes-conflicting causes. Murphy introduces various movements seeking civil rights and how they crafted verses to suit their particular causes. Short paragraphs provide context to introduce the variations, while single sentences in a larger type punctuate each spread. Readers are encouraged not only to learn about the song, but to write their own verses. Collier’s watercolor-and-collage illustrations provide an additional level of understanding and complement the narrative. Detailed backmatter, including extensive source notes, bibliography, resource list (including musical links), make this an enlightening addition to social history.
This examination of a well-known piece of music and the activism it inspired makes for a fascinating way to explore history. (Informational picture book. 5-9)Pub Date: June 3, 2014
ISBN: 978-0-8050-8226-5
Page Count: 48
Publisher: Henry Holt
Review Posted Online: April 8, 2014
Kirkus Reviews Issue: May 1, 2014
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by Ellen Potter ; illustrated by Felicita Sala ‧ RELEASE DATE: April 10, 2018
A charming friendship story and great setup for future books.
Curious about the Big Wide World outside his Sasquatch community, Hugo makes a friend who is of it.
Sasquatch Hugo’s bedroom is inside a cave and possesses the charming feature of a small stream running through it that he can sail his little toy boat on. It’s cool, but he yearns to see the Big Wide World. When he asks his smart friend Gigi if a Sasquatch might become a sailor, she says it’s possible but would be difficult—the primary rule of their people is to not be seen by Humans. Then, in everyone’s favorite Hide and Go Sneak class, which is held outside, a Human appears; Hugo laughs at the sight, drawing Human attention in a taboo-breaking mistake. Shortly after, Hugo’s toy boat floats into the cave with a Human toy—soon, it’s facilitating a pen-pal–type relationship that’s derailed when Hugo confesses to being a Sasquatch and Human Boone, a budding cryptozoologist, doesn’t believe him. How Hugo and Boone resolve this misapprehension and become friends in a joint search for the Ogopogo concludes this series opener. Potter keeps the third-person narrative tightly focused on Hugo’s perspective, and the details she uses to flesh out the Sasquatch world are delightfully playful. Sala’s drawings depict a homey Sasquatch cavern community, Boone as a freckled, white boy, and Hugo as a hairily benevolent behemoth.
A charming friendship story and great setup for future books. (final art unseen) (Fantasy. 5-9)Pub Date: April 10, 2018
ISBN: 978-1-4197-2859-4
Page Count: 144
Publisher: Amulet/Abrams
Review Posted Online: Dec. 10, 2017
Kirkus Reviews Issue: Jan. 15, 2018
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by Daymond John ; illustrated by Nicole Miles ‧ RELEASE DATE: March 21, 2023
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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