An unsparing critique of Brazil’s young elites.
Thirty-something Vivian must confront the uncomfortable fact of her enormous privilege.
Vivian lives in an apartment in Rio de Janeiro, bought by her parents for her 30th birthday, which is decorated with designer furniture and prints from a series showing at the local art museum. She’s a freelance curator, one who can afford to take resume-boosting jobs—when money’s tight, she rents out her apartment and moves back into one of her family’s four properties. In her free time, she goes to raves and snorts cocaine with her friends, all of whom are part of Brazil’s cultural elite. Vivian operates in such a rarified realm that she’s been taught she is upper-middle-class—the true upper echelon, in her eyes, have their own private planes. This self-perception is at once deluded and not inaccurate, creating “a sense of inferiority that is very specific, kind of comic and also kinda sad.” One night, as Vivian and friends are in line for a rave, police attack two street vendors, one of whom usually works on Vivian’s street and from whom she often buys beer. Vivian and her friends flee the violence by entering the rave venue; much later, she learns that the vendor, Darlene, has died from a head wound, presumably inflicted by the police that night. Vivian is not a total stranger to dark and unpleasant feelings—she’s been heavily medicated for mental illness since the age of 10—but this violence, so abrupt and so close in proximity, needles her. But can it shock her out of the cocoon of her own privilege? Drummond’s narrative voice is fiercely honest, coolly cynical, and sharply scathing: “What was I supposed to feel: Grief, guilt, indifference, sadness? It was like I’d entered a new environment whose codes I didn’t properly know, and I was supposed to understand, intuitively, how to behave and act in the moment, based on that understanding.” Vivian is not an especially appealing character; and yet, remarkably, Drummond manages to elicit readers’ empathy for her, mining her most fundamental and human flaws and insecurities.
An unsparing critique of Brazil’s young elites.Pub Date: June 4, 2024
ISBN: 9780374611286
Page Count: 128
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.
A dark fantasy set on the Yale campus ends with a bang.
Galaxy “Alex” Stern of Lethe House, one of Yale’s storied secret societies, has been to hell and back. That was in Hell Bent (2023), the middle book in Bardugo’s Ninth House trilogy, where the secret societies wield not just temporal power but magic as well. Hell Bent ended with Alex and her friends rescuing her crush, mentor, and fellow Lethe officer, Daniel “Darlington” Arlington V, from eternal torment. One small wrinkle: The demon Golgarot used Alex’s blood to wedge a door open between Hell and New Haven, and his minions are slipping through. Also, one of the group has turned into a vampire, and Darlington is now half demon. “He’d given up some part of himself to preserve the rest of his human soul. He’d become both prisoner and warden.” As the final book opens, the exhausted crew are hunting yet another monster. They can’t keep this up forever; they will have to find a way to close the portal. Alex has the energetic, driven melancholy of the hard-boiled, dark fantasy heroine she is. She believes “magic is real, but safe is make-believe,” as her roommate puts it. An open hellmouth, a supportive scholar, a vampire whose story arcs precariously toward redemption, a gentleman fiend who gets literally horny when aroused, a California girl with rare supernatural powers who cracks wise as she fights fiends—the series has a lot in common with Buffy the Vampire Slayer and its spawn, but Bardugo’s way with words and her keen social observation keep the book from feeling derivative. A demon’s classic New England house is decorated with “ruthlessly inoffensive watercolor seascapes”; Lethe’s board president “wore the new uniform of Wall Street: a dress shirt, khakis, and a fleece with a Yale Y embroidered over the heart, as if he were on his way to a hostile takeover followed by some light rock climbing.” Will Alex and her friends get the door shut without losing Darlington? Bardugo injects her protagonist with such a convincing mix of cynicism and hope that failure seems like a distinct possibility.
Sharp writing, vivid characters, and puzzle box plotting bring the trilogy to a ringing conclusion.Pub Date: Sept. 15, 2026
ISBN: 9781250884312
Page Count: 496
Publisher: Flatiron Books
Review Posted Online: Sept. 15, 2026
Kirkus Reviews Issue: Nov. 1, 2026
The queen of social activist novels has done it again. Impressive, important, and fun to read.
The World Trade Center attacks are at the center of an intricate, twisty family drama spanning decades in both directions.
“You could brace for your sister to die of a terminal illness, only to have your healthy sibling killed in a random car wreck. You could carry a baby safely to term and then, on a bright blue day in September, walk into a building that collapsed beneath your feet.” Or you could be a character in a Jodi Picoult novel and face all of the above and much, much more. Fans of My Sister’s Keeper (2004) will notice a reference to that novel in the preceding quote and be glad to hear a character from that book is back. During the Covid-19 pandemic, former teenage delinquent Jesse Fitzgerald, now a detective on the Providence, Rhode Island, police force, meets Molly Ambrose, a 19-year-old prodigy who runs the state’s emergency preparedness and response program. “Despite the fact that there were fifteen years between us and we both had enough baggage to fill a cargo hold,” as Molly puts it, the two fall madly in love. The baggage she’s referring to includes, on her side, a mother who died on 9/11 when Molly was less than three months old. Picoult supplies her signature delightful banter and gift for depicting passion and romance to win the reader’s sympathy for this possibly questionable match between dedicated public servants, whose favorite game at bedtime is “Who can think of the most terrifying worst-case scenario?” Very little more can be revealed without spoilers, but trigger warnings for this book would be a long list indeed, ranging from suicide and filicide to rape and mental illness (welcome to Picoultland!). Subplots visit evangelical and Navajo cultures as well as the ins and outs of polygraphy. Make sure to read the afterword in which Picoult explains her real-life sources of inspiration.
The queen of social activist novels has done it again. Impressive, important, and fun to read.Pub Date: Sept. 15, 2026
ISBN: 9780593726259
Page Count: 464
Publisher: Ballantine
Review Posted Online: June 15, 2026
Kirkus Reviews Issue: July 15, 2026
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