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THE MAN IN THE MIRROR

A LIFE OF BENEDICT ARNOLD

A biography that explains coherently—despite its rather thick layer of pop psych—why Benedict Arnold became the American Revolution's Lucifer, the brightest angel who suffered the steepest fall from grace. Colonial historian Brandt (An American Aristocracy, 1986) locates the seed of Arnold's treason in ``the great American virus: social insecurity.'' In his teens, Arnold was forced to leave an elite private academy because of his alcoholic father's bankruptcy. Brandt's prose can rise to an almost hysterically portentous pitch (Arnold ``teetered on the brink of an inner abyss that had been gouged in his soul by the earthquake that had struck''), but despite a lack of subtlety in characterization, her thesis enables her to identify ambition as the connecting thread between Arnold as energetic, intelligent, and courageous soldier and Arnold as greedy traitor. Notoriously touchy about the most dimly perceived slights, Arnold could take no solace in his reputation as the best American battlefield general of the war. Lacking a moral compass, he saw money and social prestige as his surest validations of character- -and, when these were lacking, he alienated potential allies with petulant outbursts. His downfall began when, as military commandant of Philadelphia, he mixed with well-heeled Loyalists (including his future wife, the beautiful Peggy Shippen) and engaged in war profiteering. Brandt takes us through the familiar events that followed: Arnold's court-martial for financial malfeasance, his bungled attempt to hand over West Point to the British, and his final years as a financially insecure social leper in Canada and England. Despite Arnold's ``mighty heart,'' he was brought down by self-delusion and a reckless unconcern for any but himself (he sealed Major John Andre's doom by needlessly sending him behind Continental lines disguised as a civilian). Piercing insights into one of our most infamous figures, though no match for Willard Sterne Randall's superb Benedict Arnold (1990). (Maps and b&w illustrations—not seen)

Pub Date: Feb. 1, 1994

ISBN: 0-679-40106-7

Page Count: 384

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1993

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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