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Yeadings (The Glass Wall, 2007, etc.) hangs back and lets his varied and able underlings share the glory in this nifty...

An auction-house porter reeling from his half-brother’s near-death is captivated by a mysterious model probing the murder of her twin sister.

Sandy Craddock, Alicia Laing’s son without benefit of marriage, is sure that the cyclist who ran down Warren Laing, Alicia’s legitimate second child, was aiming for him. So when Sandy’s boss, auctioneer Charles Hennigan, misidentifies the hospitalized, heavily bandaged Laing as Craddock, the aspiring antiquarian doesn’t set the record straight. Instead, he lies doggo in Warren’s posh flat until Fiona Morgan, who says she’s an acquaintance, turns up at Sandy’s side in Warren’s bed. Fiona marvels at Sandy’s indifference to his brother’s injury. After all, she’s still mourning the loss of her sister Martine, who drowned a year earlier in Cyprus when her car rolled off an embankment. She invites him to a weeklong art course, where Sandy is surprised to discover that Fiona is the nude figure model. But his jealousy over the eyes on Fiona’s shapely form is the least of Sandy’s problems. His boisterous easel partner, Rosa Burford, turns up with a knife in her back. Sandy and Fiona spirit her corpse out of the residence hall and dump it by her car, only to have it disappear the next day. Once Rosa’s disappearance registers on her classmates, Superintendent Mike Yeadings’s Thames Valley squad, fresh from investigating the disappearance of three-year-old Jilly Bell, is all over the case.

Yeadings (The Glass Wall, 2007, etc.) hangs back and lets his varied and able underlings share the glory in this nifty ensemble piece.

Pub Date: Oct. 2, 2008

ISBN: 978-0-312-37531-7

Page Count: 256

Publisher: Dunne/Minotaur

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Aug. 1, 2008

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YOU HAD ME AT WOLF

Like a popcorn action flick: fun but lacking in substance.

Two wolf shifters must catch a criminal in the midst of hazardous winter weather: Action, adventure, and romance kick off a new series by Spear (Falling for the Cougar, 2019, etc.).

Private Investigator Nicole Grayson has an edge that some of her colleagues don’t. She’s a gray wolf shifter, and her heightened sense of smell makes for excellent tracking abilities. When her latest assignment, investigating a fraudulent life insurance claim, leads her to an isolated ski lodge inhabited by a group of shifter brothers, Nicole realizes that this particular mission is different. Blake Wolff has finally found peace and quiet, as he and his brothers have turned their land into a sanctuary for wolf shifters like themselves. When Nicole turns up at the lodge, sniffing around and looking for answers, Blake volunteers to help. The sooner she wraps up her investigation, the sooner Blake can return to maintaining the calm community the Wolff siblings have built. The suspense never fully delivers despite the setup of dangerous situations and the characters’ ability to shift into wolves. Of course, the bad guys get caught and the good guys prevail, but the stakes never seem terribly high. With corny, on-the-nose details such as having Wolff and Grayson as surnames for gray wolf shifters, it's hard to tell if Spear is in on the joke or if some things sounded better in theory than reality. The brightest spot here, as in most of Spears’ books, is her dedication to writing strong heroines with interesting professions, and Nicole fits perfectly into that box. She’s capable, competent, and a force to be reckoned with in a difficult situation. Blake is happy to let her take the lead without any egos getting in the way, which is something all readers will appreciate.

Like a popcorn action flick: fun but lacking in substance.

Pub Date: Feb. 25, 2020

ISBN: 978-1-4926-9775-6

Page Count: 384

Publisher: Sourcebooks Casablanca

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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THE EVIL MEN DO

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Having survived his tempestuous debut, P.T. Marsh, of Georgia's Mason Falls Police Department, is back for more—including some residue from that first case that just won’t go away.

Dispatched like an errand boy to wealthy real estate mogul Ennis Fultz’s home to find out why he hasn’t joined his bridge buddies, Mayor Stems and interim police chief Jeff Pernacek, for their monthly game, Marsh and his partner, Remy Morgan, find Fultz dead in his bed. It turns out that his passing, devoutly longed for by so many of the people he’d crushed or outwitted on his way to the top, was helped along by the strategic dose of nitrogen somebody substituted for the oxygen he inhaled regularly, especially when he was expecting particular demands on his virility. Marsh and Morgan quickly focus on two candidates who might have made those demands: Suzy Kang, a recent visitor who was so eager to cover any traces that she’d been to Fultz’s house that she sold the car she’d driven there, and Connie Fultz, the victim’s ex-wife and perhaps his current lover, who acidly swats them away and tells them: “Look for some little gal who’s into bondage.” McMahon excels in sweating the procedural details of the investigation, which take the partners from a search for Suzy Kang and that missing car to a not-so-accidental car crash that’s evidently targeted a young girl who has no idea she’s implicated in the case. But he’s set his sights higher, taking in everything from a civil suit the relatives of the perp Marsh shot in The Good Detective (2019) have launched against him to a possible conspiracy behind the deaths of his deeply grieved wife and son, all of it larded with Georgia attitude and truisms, a few of which rise to eloquence (“I wasn’t good at faith. I was good at proof”).

As tangled and turbulent as the hero’s nightmares, and that’s saying quite a bit.

Pub Date: March 3, 2020

ISBN: 978-0-525-53556-0

Page Count: 368

Publisher: Putnam

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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