Next book

THE PERFECT SHELTER

Lovely and healing.

A young child in an interracial family copes with an older sister’s illness and hospital stay.

Two children lie happily in the woods with their parents, among grass, trees, and flowers in hues of yellow, white, red, and blue. “At first nobody knew. It was the perfect day, it was the perfect weather… // …to build a shelter in the woods.” The children sing as they work and build “the perfect, perfect shelter!” But soon things change. Big sister is tired. The weather reflects the family’s changes. Despite a “wild wind,” the children build again. Then, amid a “river of rain,” the mother helps the narrating protagonist mend the shelter, as the big sister is with the doctors. Big sister has an operation; the narrator worries and doesn’t understand. A thunderstorm strikes. The perfect shelter is gone. Over time, through snowy days and nights, big sister, still in the hospital, grows stronger. One day, she suggests building a shelter right there in her hospital bed. The story captures the turmoil, uncertainty, sadness, and anxiety of watching a loved one go through illness and wanting things to go back to normal, and it ends with a celebration of finding a new normal. Gilland’s illustrations use gorgeous layered colors, patterns, and clean lines with plenty of white space for thoroughly engaging pictures. The father has brown skin, the mother presents as White, and the children are shades of light brown.

Lovely and healing. (Picture book. 4-10)

Pub Date: Sept. 1, 2020

ISBN: 978-1-68464-050-8

Page Count: 32

Publisher: Kane Miller

Review Posted Online: July 13, 2020

Kirkus Reviews Issue: Aug. 1, 2020

Next book

LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

Next book

ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Close Quickview