by Clarence Clemons & Don Reo ‧ RELEASE DATE: Oct. 21, 2009
Clemons imparts a warm, Indian summer feeling that deftly accompanies his rollicking reminiscences, making this a must for...
Bruce Springsteen’s ebullient saxophonist and onstage foil recounts nearly four decades of the rock ’n’ roll life, assisted by best friend Reo, a TV writer and producer.
This account, the first by a member of the E Street Band, is “not a standard memoir,” the authors warn. Half the chapters can be taken literally, but the rest, labeled “Legends,” feature imagined conversations, altered times and places and more—just what a musician might offer up in the long hours on the road, fueled by Jack Daniels and other mind-altering substances, many of which Clemons cops to consuming over the years. Among the luminaries in these droll, quasi-fictional encounters are Thomas Pynchon, Frank Sinatra, Norman Mailer, Redd Foxx, Fidel Castro, Robert DeNiro, Bob Dylan and Groucho Marx. Clemons demonstrates that he might be every bit the raconteur that the Boss is in concert. For example, he describes how, in 1972 gig at Sing Sing Prison, the band escaped with their lives after their musical equipment blew out by jamming for an hour with just sax and drums. Fans will find especially fascinating the Big Man’s account of the marathon Born to Run (1975) recording, the early road groupies and at least some of his five wives, the ornate touring sanctuary known as the “Temple of Soul” and the E Street Band’s late organist, Danny Federici, who was given to such hijinks as running down hotel corridors naked. Any resentment lingering from Springsteen’s 1989 decision to break up the band—a decision happily rescinded several years later—has dissipated, leaving only gratitude to a friend responsible for the best years of the author’s life.
Clemons imparts a warm, Indian summer feeling that deftly accompanies his rollicking reminiscences, making this a must for the legion of fans that he and the Boss have accumulated over the decades.Pub Date: Oct. 21, 2009
ISBN: 978-0-446-54626-3
Page Count: 384
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2009
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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