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DECISION AFFIRMED

A justification of Truman’s atomic bomb decision that overly relies on military and geopolitical history.

A writer offers a defense of Harry Truman’s decision to drop atomic bombs on Japan to end World War II.

Though Americans at the time viewed the use of atomic bombs against Japan as a “legitimate” means “to hasten the end of a long and bitterly fought war,” Vold (Farmer’s Son, Military Career, 2015) laments that too many revisionist historians today question the decision “on the basis of morality, legality, and necessity.” The bulk of his narrative provides a thorough and straightforward, if already well-documented, military history of the conflict between Japan and the United States during World War II. On their own, these chapters serve as a useful survey and introduction to the ferocity of the Pacific theater, and bolster his ultimate argument that the use of atomic bombs was necessary to prevent further brutality. With this context set, nearly 300 pages in, the author pivots to his goal of affirming Truman’s decision by taking on the president’s modern-day critics. To those who argue he could have used naval blockades in lieu of atomic weapons, for example, Vold contends that “those killed immediately by an atomic bomb explosion suffer the least” when compared to “those starving to death as the result of a blockade.” More importantly, he emphasizes that the end result of atomic warfare was that it led to a democratic and peaceful postwar Japan. The ends, or “results achieved,” justified the means. This amoral approach is characteristic of the author’s skepticism of moral arguments against using the bombs, as he claims “morality is an emotional issue…based on personal beliefs rather than a logical point of view.” Given his predilection for conventional military history, it is no surprise that his defense of Truman’s decision is in the realm of combat and geopolitical strategy. But a greater engagement with the social and cultural histories of the war is necessary to fully understand the nuances of American attitudes toward the Japanese. What role, for example, did propaganda that depicted Japanese soldiers as subhuman insects and animals play in Truman’s decision? Surprisingly, American racial attitudes are absent from Vold’s narrative.

A justification of Truman’s atomic bomb decision that overly relies on military and geopolitical history.

Pub Date: May 15, 2019

ISBN: 978-1-64367-449-0

Page Count: 504

Publisher: Urlink Print & Media, LLC

Review Posted Online: Dec. 10, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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