SELECTED CRONICAS

A vertiginous dash through the mind of a highly idiosyncratic and inventive writer. Lispector, the Brazilian novelist (The Hour of the Star, 1990, etc.), was from 1967 to 1973 also a columnist for the Jornal do Brasil, the largest newspaper in Rio de Janeiro. This collection of 156 of her columns (crìnicas) makes the work of her American counterparts, from that of Anna Quindlen to Jimmy Breslin, seem predictable, narrowly focused, and pedestrian. If a newspaper column can be compared with a social visit from the writer, who drops by often enough to become a friend, then Lispector can be said to be an enchanting, unnerving, and sometimes giddy visitor. She casts a wide net in these pieces. There are some deeply cryptic gleanings. (``I dreamed that a fish was taking its clothes off and remained naked'' is the entire text of one piece.) There are also several series of full-fledged stories, including ``The Princess,'' told in five parts, and ``The Egg and the Chicken,'' told in three. Other columns resemble conventional feature writing. ``Lightning Interview with Pablo Neruda (II),'' for example, poses questions to the poet and duly provokes answers. ``Does writing make the anguish of living more bearable?'' Lispector asks. She further asks to the poet to ``say something to surprise me.'' Most of the time, the need to surprise herself seems to guide the columns, and the result is a body of work likely to give pause to North Americans, who seem to prefer their journalism straightforward and flat-footed. Lispector's is headily expansive, a reprieve from the usual. Of course, the pressure to write for each Saturday edition does lead to various ups and downs; the downs include facile moments when even Lispector's imagination temporarily folds its tent. But the stumbling is rare. A provocative revision of journalistic possibilities.

Pub Date: Nov. 28, 1996

ISBN: 0-8112-1340-4

Page Count: 224

Publisher: New Directions

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Oct. 1, 1996

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WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

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Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

A LITTLE HISTORY OF POETRY

A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.

In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.

Necessarily swift and adumbrative as well as inclusive, focused, and graceful.

Pub Date: April 21, 2020

ISBN: 978-0-300-23222-6

Page Count: 304

Publisher: Yale Univ.

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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