by Clark T. Carlton ‧ RELEASE DATE: N/A
A bracing account of the destruction left in the wake of AIDS.
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A struggling screenwriter becomes entangled with a cult in Carlton’s novel, set during the height of the AIDS crisis.
Tyler St. George is an aspiring writer in Los Angeles in the early 1990s during the worst days of the AIDS crisis—as a gay man, it torments him to see so many of his friends succumb to the deadly disease and the community to which he belongs be ravaged. Desperate to make a difference of some kind, he begins working as a chef (he’s got real culinary talent) working for Manna from Heaven, a nonprofit organization that delivers food to those dying from AIDS. The operation is run by Lakshmi Steinmetz, a self-styled sage who promotes an incoherent mix of Christian and Buddhist teachings and brazenly presents herself as a prophet on a par with Jesus Christ. Tyler is not impressed by her at all, as evidenced by his memorable reaction to her hubristic con: “I could see that most of it was gibberish, malarkey, the disconnected ramblings of a mildly schizophrenic woman who had read a lot of books, some of them taught by her husband, and then she regurgitated them. It was speaking in tongues.” To make matters worse, she’s not just a charlatan but a hypocritical boss, one who advocates caring for the sick and dying but who refuses to offer healthcare to her own workers. Tyler’s pay is meager, and he quickly finds himself buried in debt and exhausted by the relentless work, his requests for modest raises dismissed. Robert Braverman, a famously handsome model, joins the organization, and this seems to promise reform—his “IQ was as big as his cock but his heart seemed even bigger.” However, Lakshmi turns on him, as she turns on everyone, and a personal war between them ensues.
The author paints a delicate but powerful portrait of a time haunted by AIDS and the heartbreaking effect it had on the gay community in California and beyond. The crisis was a monumental event even for those who were never infected, as Tyler points out to his longtime boyfriend, Kyle: “Kyle, the best thing that ever happened to this relationship was the AIDS crisis. We were forced to be monogamous and the fighting ended. I liked it, the peace that followed ... I felt safe with you.” Tyler is a fascinating protagonist—he is disgusted by Lakshmi’s nihilistic opportunism, but he also wonders if he isn’t just as much of a shallow opportunist. However, far too much of the book is devoted to the internecine disputes within Lakshmi’s cult—her workers are routinely humiliated by her, are either fired or quit in fits of impatient exhaustion, then sign non-disclosure agreements in exchange for generous severance packages. This cycle palls, especially since there is never any mystery about Lakshmi’s character—like Tyler, the reader knows from the very beginning that she is a narcissistic fraud. Still, despite the dreary repetitiveness of the narrative, Carlton’s poignant and unflinching depiction of the battle against AIDS, and the grim rise of those who profited from it, warrants a read.
A bracing account of the destruction left in the wake of AIDS.Pub Date: N/A
ISBN: N/A
Page Count: 379
Publisher: N/A
Review Posted Online: Aug. 11, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Ann Patchett ‧ RELEASE DATE: June 2, 2026
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
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New York Times Bestseller
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
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