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PROPHETS OF THE GHOST ANTS

The wobbly science of its premise notwithstanding, this is a fascinating, enjoyable sci-fi yarn.

Awards & Accolades

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In this postapocalyptic science-fiction allegory, diminutive tribal humans share the world, and a deeply intertwined society, with hordes of insects.

Anand, the despised young lower-caste protagonist of Carlton’s innovative novel, knows perfectly well how his life will unfold. He slaves in the filthy middens of his human colony, marked by skin color, scent and even body posture as inferior to the higher classes of humans who run the colony and serve the queen. In this postapocalyptic version of human society, where humans have evolved to the size of insects in response to the planet’s diminshing resources, someone like Anand has no hope of rising above his station or changing his life. His only hope is to grow old working in peace rather than be killed by the myriad insectoid menaces that stalk his world. (The author expertly shifts his narrative pacing for violent scenes that crop up frequently in the novel and are intensely memorable.) But when word comes that his colony is splitting up, sending a queen and a host of workers to found a new colony, fate offers Anand a chance to become more than he’s ever dreamed. “The history of our land is always written in blood,” one character tells him, but in addition to blood there’s doctrine here—Carlton has a surprising amount to say about organized religion and its heresies (the so-called Loose Doctrine of Dranveria plays a major role in the book), and approaches his commentary with drama and intelligence. Anand becomes something of a firebrand, insisting “No idol, book, word, place or relic should ever be held sacred…Only human life is sacred.” The complications he faces in his rise to power make for a gripping read.

The wobbly science of its premise notwithstanding, this is a fascinating, enjoyable sci-fi yarn.

Pub Date: May 5, 2011

ISBN: 978-1460949047

Page Count: 399

Publisher: CreateSpace

Review Posted Online: June 30, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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