by Clark Thomas Carlton ‧ RELEASE DATE: May 5, 2011
The wobbly science of its premise notwithstanding, this is a fascinating, enjoyable sci-fi yarn.
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In this postapocalyptic science-fiction allegory, diminutive tribal humans share the world, and a deeply intertwined society, with hordes of insects.
Anand, the despised young lower-caste protagonist of Carlton’s innovative novel, knows perfectly well how his life will unfold. He slaves in the filthy middens of his human colony, marked by skin color, scent and even body posture as inferior to the higher classes of humans who run the colony and serve the queen. In this postapocalyptic version of human society, where humans have evolved to the size of insects in response to the planet’s diminshing resources, someone like Anand has no hope of rising above his station or changing his life. His only hope is to grow old working in peace rather than be killed by the myriad insectoid menaces that stalk his world. (The author expertly shifts his narrative pacing for violent scenes that crop up frequently in the novel and are intensely memorable.) But when word comes that his colony is splitting up, sending a queen and a host of workers to found a new colony, fate offers Anand a chance to become more than he’s ever dreamed. “The history of our land is always written in blood,” one character tells him, but in addition to blood there’s doctrine here—Carlton has a surprising amount to say about organized religion and its heresies (the so-called Loose Doctrine of Dranveria plays a major role in the book), and approaches his commentary with drama and intelligence. Anand becomes something of a firebrand, insisting “No idol, book, word, place or relic should ever be held sacred…Only human life is sacred.” The complications he faces in his rise to power make for a gripping read.
The wobbly science of its premise notwithstanding, this is a fascinating, enjoyable sci-fi yarn.Pub Date: May 5, 2011
ISBN: 978-1460949047
Page Count: 399
Publisher: CreateSpace
Review Posted Online: June 30, 2011
Review Program: Kirkus Indie
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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