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COOL OFF AND RIDE!

A TROLLEY TRIP TO BEAT THE HEAT

A gently humorous depiction of a city’s effort to beat the heat.

A solution to a hot summer in the city.

What did people do before air conditioning was readily available? One option was Baltimore’s Cool Off and Ride Program, which, starting in 1937, encouraged people to climb aboard the streetcar at a discount, relax, and catch a breeze. Friddell’s songlike text captures the city’s various characters on this summer day: kids on the playground, the dog in the backyard, Granny and Gramps on the porch, friends in the river, Mama in the kitchen, a boy who is “a-courtin'," and a cranky baby. All are invited to “cool off and ride” in a repeated refrain. Retro illustrations capture an atmosphere of hot weather in an old-school neighborhood and show a multiracial cast of characters finding a variety of ways to cope with the weather. While the premise here will undoubtedly have local appeal, any child who has experienced summer heat will understand the need to escape it and enjoy this rhythmic, lyrical tale. Notes explain how the author discovered the program, give some facts about it, and provide a brief history of streetcars, their racial integration, and their surprising relationship to roller coasters. (This book was reviewed digitally.)

A gently humorous depiction of a city’s effort to beat the heat. (bibliography) (Picture book. 3-6)

Pub Date: July 11, 2023

ISBN: 9781635926842

Page Count: 32

Publisher: Calkins Creek/Astra Books for Young Readers

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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YOUR BABY'S FIRST WORD WILL BE DADA

Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 14, 2015

Kirkus Reviews Issue: May 1, 2015

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DIGGER, DOZER, DUMPER

While there are many rhyming truck books out there, this stands out for being a collection of poems.

Rhyming poems introduce children to anthropomorphized trucks of all sorts, as well as the jobs that they do.

Adorable multiethnic children are the drivers of these 16 trucks—from construction equipment to city trucks, rescue vehicles and a semi—easily standing in for readers, a point made very clear on the final spread. Varying rhyme schemes and poem lengths help keep readers’ attention. For the most part, the rhymes and rhythms work, as in this, from “Cement Mixer”: “No time to wait; / he can’t sit still. / He has to beg your pardon. / For if he dawdles on the way, / his slushy load will harden.” Slonim’s trucks each sport an expressive pair of eyes, but the anthropomorphism stops there, at least in the pictures—Vestergaard sometimes takes it too far, as in “Bulldozer”: “He’s not a bully, either, / although he’s big and tough. / He waits his turn, plays well with friends, / and pushes just enough.” A few trucks’ jobs get short shrift, to mixed effect: “Skid-Steer Loader” focuses on how this truck moves without the typical steering wheel, but “Semi” runs with a royalty analogy and fails to truly impart any knowledge. The acrylic-and-charcoal artwork, set against white backgrounds, keeps the focus on the trucks and the jobs they are doing.

While there are many rhyming truck books out there, this stands out for being a collection of poems. (Picture book/poetry. 3-6)

Pub Date: Aug. 27, 2013

ISBN: 978-0-7636-5078-0

Page Count: 32

Publisher: Candlewick

Review Posted Online: May 28, 2013

Kirkus Reviews Issue: June 15, 2013

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