One for the fans.
She got famous. She got rich. She got cancelled. She's sorry…sort of.
"I guess you could say that delusions of grandeur are my superpower," writes Oshry, a 26-year-old Instagram influencer whose feed, @girlwithnojob, has 3 million followers, apparently enough to put this silly memoir on the New York Times bestseller list. The author begins with her Long Island childhood as the third of three sisters, one of whom, Jackie, has been a partner in her social media endeavors, especially their podcast and YouTube show, The Morning Toast. “There’s never a question as to whether one of my sisters will betray my trust or not look out for my best interest,” she writes. “Caroline Manzo said it best, ‘blood is thicker than water,’ and my relationship with my sisters is a testament to that. Our bond is tighter and more secure than Kim Zolciak’s wig, though that’s not saying much.” (If you don’t recognize either of those names, this book isn’t for you.) Oshry discusses her experiences at “fat camp,” her father's tragic, sudden death at age 52 ("BAM! My dad decided to drop dead. Very, very uncool of him"), the institution and monetization of her social media presence while an undergrad at NYU, her whirlwind marriage at age 23, and her "FUPA" (Fat Upper Pubic Area). The author waits until the end of the book to address her “cancellation” in 2018—but if you don't already know what happened, you will only find out here that it has something to do with her mother (president of the group Stop Islamization of America) and regrettable tweets from years ago. Instead of details or reflection, Oshry delivers countless platitudes: "We're all deserving of the opportunity to grow and the grace of second chances”; “Never forget that you can forge your own path and use your own voice in whatever way you want.”
One for the fans.Pub Date: Jan. 26, 2021
ISBN: 978-1-982142-86-5
Page Count: 240
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Feb. 15, 2021
Kirkus Reviews Issue: March 15, 2021
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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