Next book

PASSIONATE MINDS

WOMEN REWRITING THE WORLD

disparate writers. (11 b&w photos)

Probing, challenging literary profiles of a dozen 20th-century women whose personal and public concerns encompass sex,

race, politics, and, of course, the roles of women. All of these portraits were originally published in The New Yorker, and they form a pretty eclectic group: Gertrude Stein and Mae West, Margaret Mitchell and Zora Neale Hurston, Ayn Rand and Doris Lessing—as well as Ana‹s Nin, Eudora Welty, Marina Tsvetaeva, Hannah Arendt, Mary McCarthy, and Olive Schreiner. Art historian Pierpont begins her good-humored and evenhanded examinations of the lives and work of this curious group with the story of South African writer Schreiner, whose bestselling 1883 novel, The Story of an African Farm, offered a bridge between God and Darwin to the spiritually confused. Freedom for women to love and work is also a theme of Schreiner’s writings, and freedom in general—sexual, artistic, emotional, or political—is a concern of most of the women here. But Pierpont pokes beyond feminist concerns, linking biography, literature, history, and culture. Margaret Mitchell’s racism was ill-concealed in Gone With the Wind, for instance, yet she brought to the surface a yearning for romance novels that has yet to go dry; Hannah Arendt criticized the Jews as participating in their own annihilation in The Origins of Totalitarianism; Zora Neale Hurston defied Harlem Renaissance critics who objected to the use of black vernacular, among other things, in her novels. The communist Doris Lessing and the capitalist Ayn Rand make curious book mates, as do the flamboyant Mae West and the "unfailingly courteous" Eudora Welty and others; it must be said that Pierpont does not always pair her subjects together convincingly. Individually, however, these are compelling and provocative essays, offering fresh insights into the lives and works of the

disparate writers. (11 b&w photos)

Pub Date: March 7, 2000

ISBN: 0-679-43106-3

Page Count: 320

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 2000

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview