As vital and entertaining as the creators and work it celebrates, American Rhapsody is an uncommonly satisfying celebration...
The New Yorker staff writer delivers a selective history of the difficult, chaotic, transcendent genius of arts in America.
In this cultural survey, Pierpont (Roth Unbound: A Writer and His Books, 2013, etc.) takes her title from George Gershwin’s original appellation for what would ultimately be known as “Rhapsody in Blue,” an epochal musical composition that embodies the wild, daring, original qualities of its nation of origin, the uniquely transformative properties that are the messy, exciting result of the American experiment. The author explores this “American-ness” (expressed at one point as “seeking a personal language to express a unique point of view”) as it applies to the arts through a series of in-depth portraits of such quintessentially American creators as Edith Wharton, Orson Welles, and Katharine Hepburn. Each chapter of this literary “rhapsody”—an informally structured sequence of distinct elements—begins in medias res with an instantly engaging significant anecdote regarding that section’s subject, deepening into a superbly researched and elegantly presented full artistic biography that unpacks the various social, political, and economic contexts of the work in question. Pierpont’s approach is neither dryly academic nor ideologically hidebound. She places the emphasis on the history and the work, not identity politics, and her witty but sober and evenhanded voice is a consistent pleasure, her prose is limpid and evocative, and her insights consistently dazzle. Deftly untangling the cultural threads that produce (and inextricably link) such geniuses as Gershwin, Nina Simone, F. Scott Fitzgerald, Marlon Brando, Bert Williams, and Peggy Guggenheim (the audaciously spired Chrysler Building also receives a fascinating chapter) with grace and style, Pierpont has composed a refreshingly cleareyed piece of cultural history and an inspiring paean to the American artistic spirit.
As vital and entertaining as the creators and work it celebrates, American Rhapsody is an uncommonly satisfying celebration of the cultural kaleidoscope known as the United States.Pub Date: May 10, 2016
ISBN: 978-0-374-10440-5
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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