A memorable, laugh-out-loud, cry-out-loud essay collection for both genders and all ages.
Connected autobiographical essays woven around the theme of kissing.
Sternbach (Now Breathe: A Very Personal Journey Through Breast Cancer, 1999), the editor in chief of the literary journal Memoir (and), is an impressive stylist and a candid guide through her life. Although the reality of kissing serves as the connecting thread, each essay is grounded in one of a wide variety of complementary topics, such as the first love as an adolescent, best friends, parents, sisters, birthdays, tennis, summer camp, air travel, marriage, divorce, cancer, rape and death—among others. Sternbach has carefully considered how to make a life story interesting through unusual yet approachable formatting, and she throws humor, sarcasm and self-deprecation into the mix. Characters from the author's life appear, disappear and then reappear unexpectedly in different essays. One of those characters is a sixth-grade boy worshipped by the author as a fifth grader. She hears a rumor from reliable sources that the boy plans to kiss her on a certain day, but, due to unexpected circumstances, the kiss never takes place. Sternbach remembers the boy sporadically through the decades. When he re-enters her life, never having kissed her, it is because of his premature death. The author’s younger twin sisters also figure prominently in the book—they “have always been a source of great material even when they didn't know it.” Sternbach mostly avoids discussion of her two failed marriages, but her third (and current) husband plays a major role, especially in an essay about how they met and fell in love. The birth of their daughter provides an occasion for multiple kisses, not to mention an unforgettable hospital-birthing essay.
A memorable, laugh-out-loud, cry-out-loud essay collection for both genders and all ages.Pub Date: April 5, 2011
ISBN: 978-1-60953-037-2
Page Count: 224
Publisher: Unbridled Books
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Jan. 1, 2011
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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