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BEAR AT THE BEACH AND OTHER ADVENTURES

While young ones will recognize Bear’s fears and appreciate the reassuring endings, this Bear doesn’t measure up to the most...

Three stories originally published as separate 40-page readers are repackaged as one longer chapter book.

In 1996 Kirkus described the title story as “A depressing fable.” Twenty years later the toy bear’s longing for a perfect father is even less appealing, with its pat, predictable, and cloying resolution. In the second story, a “Used-Up Bear” (originally published in 1998) imagines the worst—being discarded. Other, newer stuffed animals compound his distress with predictions that his owner, a white girl named Clara, will choose one of them to replace him. In the end, Clara refurbishes Bear with a flannel “bear suit” done in a red that is rather jarring against the simple line-and-watercolor art of pastel blues, lilacs, and yellows that predominate. In “Lonesome Bear” (2001), this rather insecure stuffed animal panics when he wakes up and sees that Clara is gone. As he searches for her he meets a rabbit who helps him make “Lost Girl” posters and a cat who tries to convince both of them that being on your own is really better. Predictably, Clara has also been searching for Bear and brings him, along with the rabbit and the cat, home to a cozy dinner.

While young ones will recognize Bear’s fears and appreciate the reassuring endings, this Bear doesn’t measure up to the most famous of anxiety-ridden bears. Winnie the Pooh is still a better choice for independent readers. (Fantasy. 6-9)

Pub Date: Dec. 24, 2017

ISBN: 978-1-63322-370-7

Page Count: 131

Publisher: Seagrass/Quarto

Review Posted Online: Oct. 27, 2017

Kirkus Reviews Issue: Nov. 15, 2017

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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WAITING IS NOT EASY!

From the Elephant & Piggie series

A lesson that never grows old, enacted with verve by two favorite friends

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 4, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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