The warm Christmas glow traditionally associated with this classic poem is completely missing in this unusual but ultimately...

THE NIGHT BEFORE CHRISTMAS

The old-fashioned phrases of the classic Christmas poem are juxtaposed with edgy, contemporary illustrations.

An unusual double-page spread serving as the title page defines the scene and the artistic style with a night view of a suburban street. All the houses are dark and undecorated save for a few plain wreaths on front doors. But one house is decidedly different, decorated lavishly with lights, ornaments, inflatable figures, and a “Welcome Santa” sign atop the highest tree. Inside this house, over-the-top decorations also prevail, surrounding the family and the dog, cat, and mouse that appear throughout. The father wears old-fashioned, striped pajamas and a nightcap, and when Santa arrives, he is dressed in a traditional red suit. But the reindeer are dressed in odd costumes that don’t relate to anything else. The illustrations, presumably digitally composed, are unusual in style, with all the characters seemingly frozen in their tracks or even in midair. No motion is indicated at all, even for the reindeer in flight or for Santa sprawled on the hearth after his descent. This flat, static effect is emphasized by a cool palette of greens and blues that further subdues the tone. The overall effect makes characters seem like posed robots with no life to them at all.

The warm Christmas glow traditionally associated with this classic poem is completely missing in this unusual but ultimately unsuccessful interpretation. (Picture book. 3-7)

Pub Date: Sept. 29, 2015

ISBN: 978-0-545-39112-2

Page Count: 32

Publisher: Orchard/Scholastic

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers.

HOW TO CATCH THE EASTER BUNNY

From the How To Catch… series

The bestselling series (How to Catch an Elf, 2016, etc.) about capturing mythical creatures continues with a story about various ways to catch the Easter Bunny as it makes its annual deliveries.

The bunny narrates its own story in rhyming text, beginning with an introduction at its office in a manufacturing facility that creates Easter eggs and candy. The rabbit then abruptly takes off on its delivery route with a tiny basket of eggs strapped to its back, immediately encountering a trap with carrots and a box propped up with a stick. The narrative focuses on how the Easter Bunny avoids increasingly complex traps set up to catch him with no explanation as to who has set the traps or why. These traps include an underground tunnel, a fluorescent dance floor with a hidden pit of carrots, a robot bunny, pirates on an island, and a cannon that shoots candy fish, as well as some sort of locked, hazardous site with radiation danger. Readers of previous books in the series will understand the premise, but others will be confused by the rabbit’s frenetic escapades. Cartoon-style illustrations have a 1960s vibe, with a slightly scary, bow-tied bunny with chartreuse eyes and a glowing palette of neon shades that shout for attention.

This bunny escapes all the traps but fails to find a logical plot or an emotional connection with readers. (Picture book. 4-7)

Pub Date: Feb. 1, 2017

ISBN: 978-1-4926-3817-9

Page Count: 40

Publisher: Sourcebooks Jabberwocky

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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Let these crayons go back into their box.

HAPPY EASTER FROM THE CRAYONS

The Crayons return to celebrate Easter.

Six crayons (Red, Orange, Yellow, Esteban, who is green and wears a yellow cape, White, and Blue) each take a shape and scribble designs on it. Purple, perplexed and almost angry, keeps asking why no one is creating an egg, but the six friends have a great idea. They take the circle decorated with red shapes, the square adorned with orange squiggles “the color of the sun,” the triangle with yellow designs, also “the color of the sun” (a bit repetitious), a rectangle with green wavy lines, a white star, about which Purple remarks: “DID you even color it?” and a rhombus covered with blue markings and slap the shapes onto a big, light-brown egg. Then the conversation turns to hiding the large object in plain sight. The joke doesn’t really work, the shapes are not clear enough for a concept book, and though colors are delineated, it’s not a very original color book. There’s a bit of clever repartee. When Purple observe that Esteban’s green rectangle isn’t an egg, Esteban responds, “No, but MY GOSH LOOK how magnificent it is!” Still, that won’t save this lackluster book, which barely scratches the surface of Easter, whether secular or religious. The multimedia illustrations, done in the same style as the other series entries, are always fun, but perhaps it’s time to retire these anthropomorphic coloring implements. (This book was reviewed digitally.)

Let these crayons go back into their box. (Picture book. 3-5)

Pub Date: Feb. 7, 2023

ISBN: 978-0-593-62105-9

Page Count: 32

Publisher: Philomel

Review Posted Online: Oct. 12, 2022

Kirkus Reviews Issue: Nov. 1, 2022

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