This fresh take on an old text is worth checking out.
An old Christmas poem is paired with Mr. Boddington’s distinctive illustration style.
Linear brush strokes, multiple patterns, flat perspectives, and blocks of pink distinguish the illustrations accompanying this rendition of the familiar Christmas chestnut. The text of the poem is set in couplets against bubbles or solid background colors. Busy pictures show a brown-skinned family sleeping inside a multistory residence set in a small, Christmas-themed village, with Santa’s sleigh and reindeer riding above. Elves with various skin tones and hair textures assist Santa, who is White, with the deliveries. Going down the chimney and inside the narrator’s home, the elves explore playfully while Santa finds a moment to sit, smoking his pipe and reading the newspaper. The perspective of the spreads resembles a view into a dollhouse. Santa’s list of major cities to visit includes Nairobi, Rio, Istanbul, Tokyo, and Mumbai, among other destinations, but the names on his list of “nice” children (and pets) are noticeably and disappointingly not nearly so international in character. Text within the illustrations adds details to the story, including a nod to Jean-Michel Basquiat on the family’s kitchen bulletin board. Santa’s sleigh takes off into the star-studded night sky above a zoo filled with active animals in the middle of the red and green town. This unexpected combination of old poetry with a modern artistic style will find an enthusiastic audience in Mr. Boddington’s existing fans and may win the design studio new ones as well. (This book was reviewed digitally.)
This fresh take on an old text is worth checking out. (Picture book. 4-9)Pub Date: Oct. 12, 2021
ISBN: 978-0-593-38407-7
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
